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Borborbor music originates from Kpando -Mr Nuatro

The mention of Borborbor music and dance sparks great interest in people and sends one’s mind to Kpando in the Volta Region where its sublime form is played to entertain gatherings.

Mr Innocent Victor Korku Nuatro, a retired Senior Manager of GCB Bank, who had spent 37 and -a – half years with the bank, and a founder of the Mawuli Borborbor Band, Kpando, has over 100 compositions of Borborbor songs and two CDs to his credit.

He said Borborbor music and dance was founded by his late father Francis Kodzo Nuatro a native of Kpando Dzigbe in the Volta Region, and that Ghanaians should disregard publications in the media which sought to suggest that Borborbor music and dance originated from Wusuta in the Volta Region.

Mr Nuatro said his late father nurtured, developed and promoted the music and dance which eventually became the pride of the chiefs and people of the Akpini traditional area.

” People must endeavour to put records straight, give credit to those who ought to be credited and be humble to learn from others,” he said.

Mr Nuatro admitted that prior to the introduction of Borborbor music and dance at Kpando, there were other forms of music and dance in the area, some of which included ” Akaye”, “Egbanigba”, “Adewu” and “Akpi”, but the irresistible Borborbor music and dance came to overshadow the previous ones.

According to him, his late father’s ability to organise people, compose captivating patriotic songs, dirges and songs for marriages, naming ceremonies and indeed all occasions endeared him to many people and his music has become the most sought after across the country. 


He disclosed that the unique Borborbor music caught the attention of Ghana’s first President, the late Dr Kwame Nkrumah during one of his visits to Kpando, prior to Ghana’s attainment of Independence in 1957.
”It was no wonder, Dr Kwame Nkrumah adopted the original Borborbor group and nicknamed it, ‘Osagyefo’s own Borborbor Band’ “.


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Mr Nuatro said the late General Ignatius Kutu Acheampong and Dr Hilla Limann, at various times during their leadership of the country, fell in love with Borborbor music and dance.

He said Borborbor music which has unique rhythm was associated with dance movements with the use of handkerchiefs which were displayed in a special way, adding that the lead singer conducted and controlled the Borborbor  music but not the trumpeter.


” The original Borborbor music is different from what is known as “Akpese Music,” Mr Nuatro said.

He said in the 1970’s, his late father ensured that, the original Borborbor Band was affiliated to the Arts Council of Ghana, adding that the authenticity of the origin of Borborbor music could be ascertained from the University of Ghana Music Department.

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Leadership in church


Mr Nuatro who formed the  St Mary Immaculate Youth Choir of the Immaculate Conception Catholic Church, Kpando, has advised choir masters and group leaders to refrain from immoral acts since that was the potential for the collapse of many groups.

The renowned musician intimated that choristers played a sacred role in church and should, therefore, revere their calling as a duty to God the arbiter of their lives. 

Mr Nuatro explained that those who accepted to serve God as choristers had received untold blessings, answered prayers and longevity of life.


He called on the youth to be zealous for the work of God since it had attracted numerous blessings from God and had empowered many to enjoy fulfilled lives.

Mr Nuatro said those who had dedicated their lives and services to God were not disappointed, adding that they should persevere in prayer, carry out acts of charity and must be at peace with all people.

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He emphasised the need for the youth to serve God in their youthful days and eschew acts which would drive them away from worshipping God.

Working Life

Mr Nuatro joined the GCB Bank as a clerk, enrolled with the Chartered Institute of Bankers, Ghana, obtained the Banking Diploma Part One but could not go further due to frequent transfers throughout the country.

However, training courses he attended were, Management, Leadership, Supervision, Empowerment and Motivation among others.

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Hobbies

His hobbies include reading and watching football with Kpando Heart of Lions, Accra Great Olympics, Manchester United and Real Madrid as his favourite teams.

Meals
Mr Nuatro takes delight in eating fufu with either goat meat or fish light soup, jollof rice, and also enjoys beans with fried plantain.

Raymond Kyekye

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Combing streets, ghettos for emotionally traumatised boys …the story of the ‘Woman King’ and Boy Child Supportive Care Foundation

In a society where conversations about the safety and wellbeing of people have always tilted to the side of women and the girl child, one often wonder who cares about the state of the young boys at the same age as the girls.

Boys have been usually considered emotionally and physically stronger vessels, able to go through tough and difficult challenges without the support often enjoyed by girls who go through less or similar trials.

Some of these boys have grown up knowing of a popular Ghanaian par­lance ‘barima nsu’, which is literally translated to ‘men don’t cry.’

So, sometimes people don’t real­ise that behind this show of strength and swagger, lies a soft, emotionally traumatised boy that fears losing his masculinity by bringing out the other part of him.

This was what led to the establish­ment of the Boy Child Supportive Care Foundation, a little over a year ago, to provide that comforting shoulder for boys to share their concerns.

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Even that thought to care for boys came from a woman, Edna Korama Yamoah, popularly known as ‘Woman King’ who stands for the plight of boys and men.

The story behind the Boy Child Sup­portive Care Foundation is quite fas­cinating, especially when both boys and men have failed to realise and accept their predicament.

But for the Woman King, boys and men must not see themselves in such strug­gles as a normal thing.

“You see, boys have been neglected for a long time. We always hear about the girl child. Everything in this society is about the girl child. We think the girls are vulnerable, but boys are more vulnerable.

In fact, most boys are more vulnerable than the girls. Boys get so emotional but they hide it because we always know them to be men and not expected to cry,” She explained.

After establishing the foundation, a lot of such boys have been brought to­gether, especially those that are going through emotional problems.

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Within this short space of time, the foundation has man­aged to put about 16 boys in basic school, almost 200 in technical and vocation through scholarship, and has over 150 engaged in sports activities, specifically football and basketball.

Without support from organisa­tions, the foundation has struggled to send these boys to Senior High School (SHS) due to financial chal­lenges, although the SHS is free but without some needed logistics.

According to the Woman King, the work of the foundation requires oc­casional visits to schools where they talk about issues on mental health and wellbeing.

“We also do charity works. We also do feeding on the streets and ghettos.

“The foundation currently don’t have a hub to house them. That is even not a major concern now since most of them have places to sleep. It’s just that they are poor. They don’t have what to eat, they don’t have what to wear.”

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“They are not necessarily street children. These are boys with their fami­lies aged between 10-21 years. They are with the fami­lies but we see clearly they are going wayward.

“So, we help them with counsel­ling. We do one-on-one counselling. We do interactive counselling. We do that a lot in secondary schools, espe­cially in five schools.

The foundation’s operations are not always smooth as expected because of their backgrounds.

“They are from poor homes. Some are very stubborn as well, and proud. Sometimes you want to help a boy child and he’s like, I’m comfortable where I am. I want quick money. I want to carry goods to get money.

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But I have a way of facing them. So, I’m always in kick; every day, I’m in kick. You hardly see me in flashy clothing.

“I go to the gated houses where people cannot go, where the police won’t go. Me, I go there. I go to the ghettos to speak to them.

“I make them feel I’m not against them. Rather, I want to understand them, so they should also understand me.

“Sometimes I cry. Sometimes I just get out of my car and walk along the streets just to look at these boys, how they behave, and their mannerisms,” she narrated.

Woman King has currently written proposals to churches, organisations and philanthropists to find ways to fund these activities that she believes will help a lot of boys realise their dreams.

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“I didn’t have any grant. I didn’t even have the idea of writing to do this because we were not even a year old. So we contacted a few people and they started adopting some of the cases.

“So we have people who have ad­opted the education project. We have only individuals who are taking care of individual boys. They pay their school fees and most of them are in the pri­vate schools. Because they want the boys to be in the private schools.

“But after a year, we are collaborat­ing with this big school with the Ghana Atomic Energy Commission.

We are also endorsed by the Minis­try of Arts and Culture. We have the endorsement because there is this upcoming project; Arts and Craft. We wanted to do it in the secondary schools, but we realised that Ghana Education Service may delay us,” she stated.

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At the sports level, the foundation requires training and remuneration for their coaches in charge of their 14, 16 and 18 football teams.

Woman King is a mother of two girls and believes it is for a purpose that she did not give birth to a boy because her passion has led her to take care of so many of them.

“I feel so good and proud when I see something good coming from my boys. When I see them so happy, it makes me so happy, it makes me feel I am on top of the world.

“I feel good that I have made an impact in somebody’s life, because I see progress. All these boys are trans­formed.

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“And at the end of the day, they all come saying thank you. So it makes me very proud and emotional.”

Womans King’s next agenda is to have a “Books and Stationary Support Festival coming up in the first week of January when schools reopen. We are doing this because I went to some schools, about two or three schools in some villages and the teachers ap­pealed to me to bring them books.”

In this regard, the foundation is call­ing for support to support these needy school children.

It is the belief of Woman King that the foundation would one day gain international recognition for the good works it is rendering to society.

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By Cecelia Yada Lagba

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Africa’s young TV Host interviews M. Dot Taylor, a Grammy member and USA Recording Artiste

• DS De Golden Bhoy

DS De Golden Bhoy

In the heart of Africa, where the sun sets in a spectacular splash of colours and the rhythms of life pulse through the air, a young and dynamic TV host has carved a niche for himself as a prominent TV Pre­senter, Travel Blogger and Interna­tional Public Relations practitioner.

His passion for connecting leads and making merit globally has led him on countless adventures across the continent, showcasing Africa’s rich culture, stunning landscapes, and unique narratives.

• M Dot Taylor
• M Dot Taylor

Known as DS De Golden Bhoy, he had a one-on-one interview with M Dot Taylor, a Grammy member and hip-hop artist from the USA, whose music resonates with fans around the globe.

The interview took place on Facebook live adorned with high spirited expectations and hope for the entertainment world, reflecting the fusion of African and American cultures.

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As all attention focused on the very important interview, Holly­wood-Africa Connect on Addictive Culture on Urban Culture Global, the atmosphere buzzed with excite­ment.

M. Dot Taylor, known for his thought-provoking lyrics and infec­tious beats, was eager to share his journey, inspirations, and thoughts on the global music scene.

The young host kicked off the interview by asking M. Dot about Grammy and how impactful it’s been to him and influences in music.

He spoke passionately about the artists who shaped his sound, from legendary hip-hop figures to African musicians who inspired him with their storytelling and rhythm.

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As the conversation flowed, the host deftly transitioned to the topic of travel.

M. Dot Taylor, who has toured extensively across the United States and abroad, shared his favourite travel experiences, emphasising how each destination offered a unique flavour that fuels his creativity.

“Travelling opens your mind and heart,” he explained. “It’s not just about seeing new places; it’s about connecting with people, under­standing their stories, and finding common ground.”

Grammy Awards Member, M. Dot Taylor also encouraged international collaborations, procedure to get onto Grammy nominations, the kind of project that qualifies, etc.

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He stated that “we are ready to empower African Creatives and if any African creative needs a col­laboration or needs to know more about Grammy procedure/nomina­tion, they should reach out to DS De Golden Bhoy for extensive discus­sion.

M. Dot listened intently, nodding in agreement, as they both cele­brated the richness of diversity and the power of storytelling through music and travel.

The interview took an exciting turn when the young host asked M. Dot about his thoughts on the future of music and what he has got to say to up-coming artistes.

With conviction in his voice, he spoke about the responsibility that comes with being an artist: “We have a platform, and it’s our duty to use it wisely. Hip-hop/music has al­ways been a voice for the voiceless, and as artists, we can shine a light on the issues that matter most.”

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As the interview wrapped up, Dot Taylor expressed his appreciation to key figures who impacted his music journey positively, (Ice T, George Ohan etc) and expressed gratitude to them for their immense impact on his life.

The energy was palpable, a tes­tament to the powerful connection forged through their conversation.

They both recognised that despite the geographical distance, their passions for music, travel, and sto­rytelling bridged the gap between their worlds.

The interview not only showcased M. Dot Taylor’s journey as an artist but also highlighted the importance of cultural exchange and collabora­tion in today’s global society.

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As the young host continues to inspire others with his travels and interviews, he embodies the spirit of Africa’s vibrant youth, ready to take on the world, one story at a time.

M. Dot Taylor promised to touch the African soil soon to help impact positively on the creative industry after the host asked him which of the African artistes he knows, he mentioned Wiz Kid, Davido, Tems, Burna Boy and DS De Golden Bhoy added the likes of Shatta Wale, Stone Bwoi, Sarkodie, Medikal, Kidi, Quame Eugen to the list of artistes he should look out for.

By Spectator Reporter

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