Entertainment
Celebrating Ghana must go beyond beads, clothes – Akorfa Edjeani

Akorfa Edjeani
Ghanaian actress and producer, Akorfa Edjeani has called on Ghanaians to move beyond wearing made-in- Ghana clothes and ornaments in celebrating Ghana Month (March) but renew their mindset and attitudes.
Akorfa Edjeani said, there should be a conscious effort to celebrate the country’s uniqueness in terms of culture and identity aside wearing locally-made attires.
“If we are celebrating Ghana, it’s not just enough to be wearing the beads and the Ghanaian clothes. We have to reorient our minds. You can be wearing them and still not be Ghanaian or African enough in your mind,” she stated on Joy Prime’s ‘Prime Morning’ as part of the Ghana Month celebrations.

“So, we need to reorient our minds, and we should know that we have only one Ghana, and we need to build it up,” she added.
According to the veteran actress, a positive attitude towards the Ghanaian movie industry would also go a long way to promote the country and foster development.
She said, it was important to improve the sector and utilise the space to showcase Ghana’s rich culture and heritage.
She called on key players in the industry to rebuild and strengthen the Ghanaian film industry and to produce films that would benefit Ghana and showcase its talent and potential.
“Talking about Ghana again, we should have our film industry. We should build the film industry. Why did we sell the film hub that we had? We sold it off, and now we don’t have a place. If we’re talking about Ghana, we should bring the things that will benefit Ghana,” she stated.
By Michael D. Abayateye
Entertainment
Miss Ghana 2025 finalists unveiled

The talented 16 contestants have been unveiled at a grand ceremony held at the Tang Palace Hotel in Accra last Saturday.
These finalists made the cut following gruelling auditions in November 2024, where young women from across the country showcased their beauty, intelligence, and passion for service.
According to the organisers, the search is for a queen who exemplifies selflessness, intelligence, discipline, and dedication to societal service.
The contestants will go through calculated weekly tasks ahead of the highly anticipated grand finale on March 29, 2025.
Each contestant will now represent their respective regions as they compete for the prestigious Miss Ghana 2025 crown.
Organised by Exclusive Events Ghana and Miss Ghana Foundation, the Miss Ghana pageant is more than just a beauty competition.
As part of the modalities, the winner will not only represent Ghana on the global stage at Miss World but will also lead charitable initiatives under the Miss Ghana Foundation, focusing on supporting vulnerable communities.
The contestants expressed their readiness to prove their mettle in the competition for the ultimate.
This year’s pageant is being sponsored by Bullet TV and supported by Gold Presence, Tang Palace Hotel, Belaqua, Bel Beverages Ghana, Pippa’s Health Centre, Central Hotel, Accra, Airport Women’s Hospital, Renault Ghana, and Premium Motors Limited.
The rest include Dainess Chefs School, Eye360security, Hottees Ghana, Dyeweb fabrics, BELLE cosmetics, Akagres bakery, Blaq travels and Kingdom Books & Stationery among others.
By Edem Mensah-Tsotorme
Entertainment
Felicia Boadu releases ‘Adom Wura’

Ghanaian gospel musician and philanthropist, Felicia Boadu, has released her new single titled ‘Adom Wura’ a powerful message to the world.
This inspiring gospel song is a beautifully curated blend of traditional African rhythms and contemporary gospel sounds, crafted to appreciate, adore, and honour God as the ultimate source of grace.
With her unique voice and distinctive style, Felicia delivers music that uplifts and deeply resonates with her audience.
As a rising figure in contemporary gospel music, she aims to capture the hearts and souls of all who listen to her songs.
Backed by Supreme Media Solutions, Felicia is poised to reach new heights in her music career.
Her latest single Adom Wura, which translates to Conveyor of Grace, was produced by Dan Bassey.