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Mabel Okyere breaks down in tears as she recounts story behind her hit single; ‘Anuonyam’

Mabel Okyere

Mabel Okyere

Ghanaian Gospel musician, Mabel Okyere cried on live radio as she recounted the story behind her hit single ‘Anuon­yam.’

Speaking with OPD on Adom 106.3, the gospel minister indi­cated that even though she was not the songwriter, she connected with the song on a deeper level “because it tells her personal story.”

“I believe God gave the song to Nana Boateng (songwriter) to give to me because it tells my life’s story. I went through a lot after releasing a song in 2018,” she recounted.

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According to Mabel Okyere, “The doctors named many dis­eases. I thought I would die, but God had a plan for me. I recorded the song, but it’s tough to fully listen to it because I cry when­ever I hear it,” she said amid tears.

The song has been trending on social media with the hashtag Ahayekwanho, as a result, many Ghanaian celebrities and fans have expressed their love for the song by posting videos online singing it.

‘Anuonyam’ is available on all digital streaming platforms; YouTube, Apple Music, Audiomack Boomplay, etc.

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 Redeemed Baptist Church congratulates trio

 Three members of the Redeemed Baptist Church in Ogbojo – Emerita Professor Eliz­abeth Ardayfio-Schandorf, Mrs Florence Mangwe Hutchful and Mrs Comfort Owusu, were among 22 award recipients for their exceptional contribution to national development at the 10th Ghana Women of Excellence Awards ceremony held in Accra.

The trio were recognised for their exceptional performances in their respective field of endeav­ours.

Emerita Ardayfio-Schandorf is a seasoned geog­rapher and Chairperson of the Public Interest and Accountability Committee (PIAC), Mrs Hutchful comes in as the first President of the Chartered Institute of Human Resource Management, Ghana and Mrs Owusu as the Executive Director of the Association of Rural Banks (ARB) Ghana.

The awards, held on the eve of the Internation­al Women’s Day, is a component of Ghana’s ob­servation of the Day which was under the theme ‘Empowering the Ghanaian woman for National Development.”

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The clergy and congregation of the Redeemed Baptist Church says Ayekoo to the award winners.

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 TGMA unveils nominees for 26th edition

Organisers of the Telecel Ghana Music Awards (TGMA) have unveiled nominations for the 26th edition of the awards.

A ceremony to unveil the awards held last Saturday at the Grand Arena was filled with shocks, surprises, and excitement.

The ultimate category, Artiste of the Year will see, Kweku Smoke, Joe Mettle, Team Eternity, King Prom­ise, Black Sherif, King Paluta and reigning champion, Stonebwoy.

King Paluta, King Promise and Stonebwoy

Best New Artiste of the Year, a key category for the emerging talents to make a mark will feature Lali X Lola, Arathejay, Rap Fada, Beeztrap KOTM, and Kwesi Amewugah.

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Lovers of gospel music will have a tough time choos­ing Empress Gifty, Joe Mettle, Team Eternity, Piesie Esther, Diana Hamilton or MOG Music as the Gospel Artiste of the Year.

Medikal, Sarkodie, King Paluta, Black Sherif, Kweku Smoke, Beeztrap and Amerado will battle it out for the Best Hiplife/Hip Hop Artiste of the Year crown.

A category which would generate controversy is the Best Rap Performance with a fierce contest between Sarkodie, Okyeame Kwame, Eno Barony, Lyrical Joe, Flowking Stone and Kweku Smoke.

There are other interesting categories like High­life Song of the Year, Telecel Most Popular Song, Male and Female Vocalists of the Year among others up for grabs for the 26th edition of the Telecel Ghana Music Awards.

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The reigning Artiste of the Year, Stonebwoy was nominated in the same category again in addition to Album/EP of the Year – “Up and Running”, Best Reg­gae/Dancehall Song – “Psalm 23”, Best Music Video – “Jejereje”, Best Reggae Dancehall Artiste, Interna­tional Collaboration of the Year – “Ekelebe” featuring OdumoduBlvck, “Jiggle And Whine” featuring Spice, and Most Popular Song – “Jejereje”.

This year’s edition of Ghana’s biggest music night comes off on May 3, 2025, at the Accra International

 By Edem Mensah-Tsotorme

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