News
Porter Girls win Visula Art contest

Archbishop Porter Girls’ Senior Secondary School (APGS) emerged champions at the just-ended Sekondi-Takoradi Metropolitan Visual Art Festival for Senior High Schools organised in Sekondi in the Western Region
The school grabbed 87.5 points, followed by St. Mary’s Boys SHS with 86 points and Adiembra SHS, 80.5 points for second and third positions respectively, based on organisation, craftmanship and overall impression.
Organised by Centre for National Culture (CNC) of Sekondi-Takoradi Metropolitan Assembly with support from Department of Industrial Painting and Design at Takoradi Technical University and Media General’s Takoradi- based radio station, Connect 97.1FM, the event witnessed outstanding performances in portrait and still life drawing.
Master Ebenezer Cudjoe from Takoradi Secondary School emerged winner in portrait drawing with 90 points followed by Miss Erica Emefa Ametsor from Archbishop Porter Girls, 87.3 points and Samuel Ghunney,of Bompeh SHS, getting 86.3 points.
In the still life drawing, Addison Richman of Fijai SHS emerged winner with 81 points, followed by Venessa Whigham of Ahantaman Girls’ SHS, 79 points and Wendy Naa Korley of Archbishop Porter Girls’ SHS, who got 75.5 points.
Addressing the gathering, the originator of the event, Director of the Metro Centre for National Culture, Mr Ebenezer Ackom, noted that, “the modest success of planning among collaborators has encouraged us to institutionalise the first Visual Art Festival as an annual event.”
“The rationale of the festival is aimed at motivating young artist and highlighting the importance of studying visual art and its effect on the socio-economic development of the country.” he said.
Mr Ackom underscored the important roles art played in preserving the culture of a people, hence the introduction of the visual Art festival to appreciation the art form.
Expressing his gratitude to partners and sponsors, Mr Ackom hoped the event would grow bigger and better in subsequent years.
On behalf of the Acting Metro Chief Executive of Sekondi-Takoradi, (STMA), Mr Kobby Okyere Darko- Mensah, the Presiding Member of the Assembly, Mr John Buckman, urged Ghanaians to adopt a non-partisan national art policy to serve as a road map for conscious rapid development of the visual art.
The policy, he stated, must provide a clear direction in the training and development of artistic workforce with imagination, intellectual ability and inventive skills to provide the needs of the country.
From Clement Adzei Boye, Sekondi
News
Swallowed by the Sea! …Keta’s coastal lines, landmarks, efforts to preserve heritage

The Atlantic Ocean is no longer a distant blue horizon for the people of Keta.
It now circles around their doorsteps, uninvited, unrelenting, pulling down walls and other structures, erasing memories, and threatening lives.
Hovering precariously between the restless sea and the Keta Lagoon, this once-thriving coastal town is slowly being obliterated.
Salt water has become both a physical and metaphorical threat, dissolving the town’s past as fast as it claims its future.
Madam Aku Atitso, 62, lives in a crumbling former Prisons Service quarters – one of the few structures still standing on the eroded stretch of Queen Street.


She sits quietly at the entrance, preparing a modest breakfast for herself and her granddaughter.
The air is thick with salt and silence. “The sea took everything,” she says softly. “My husband’s nets, our mattress, our memories all gone overnight.” Her voice trembles. “This place too is dying. But it’s the last place with a roof over my head.”
A few metres away, Aunty Esinam, 79, watches the sea from a low stool beside a wooden shelter. Her eyes do not blink. “That spot,” she points, “used to be someone’s living room, a whole family lived there”.
It’s not just homes that are vanishing. Landmarks that anchored Keta’s cultural identity are disappearing one after another. The once-imposing Fort Prinzenstein, a haunting relic of the transatlantic slave trade is now more of a ruin than a monument.
the encroaching waters along Keta’s
coast.
encroaching waters along Keta’s coast
The colonial-era Bremen factory, the old cinema where generations of children once laughed at flickering black-and-white films is also gone.
Queen Street, once the town’s bustling backbone, is now a watery corridor choked with debris.
Standing atop a section of the sea defence wall, 69-year-old retired teacher Efo Kwasi Agbeko surveys what remains.
“The first police station is mostly gone,” he says, gesturing part of the building stuck in the sea sand, only ruins and a few rooms remain.
“This town is fighting, but the sea is winning,” he said.
Even the Cape St. Paul Lighthouse, Keta’s historic sentinel, leans perilously toward the water, and fishermen say holes in the shore are opening more frequently, sometimes every week.
That leaves a thick cloud of uncertainty hanging around the historic town of Keta.
Once upon a time, it was a vibrant town noted for business but currently left with ruins with a few of the residents watching in awe the sea’s devastation.
From: Geoffrey Kwame Buta, Keta, Volta Region
News
Ghanaians climax Easter with fun-filled activities

Christians around the world and other faith based groups last Monday climaxed the Easter celebration with a number of fun-filled outdoor and indoor activities.
With streets empty, fun seekers stormed church premises where picnics were held while others partied in many ways.
Others spent the day at the various beaches and music and film shows occupying the others.
velleyball competition
at the Laboma Beach
Church in Tema Community 8 engaged
in a number of activities including the
popular draught competition
At the churches, participants engaged in bible reading, football, volleyball, playing cards, table tennis, horse racing, bouncing castles, swimming and oware.
one of the picnic venues
Others played ludo, tag of war, lime and spoon, draught, music competitions among others.
The Spectator captured some of the exciting scenes around Accra-Tema for the benefit of readers.
Story & pictures by Victor A. Buxton
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