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University of Ghana opens maiden ‘Artify’ visual arts exhibition

• A scene from the exhibition

 The University of Ghana, in partnership with Nubuke Foun­dation and KGL Foundation, has launched a week-long visual arts ex­hibition titled ‘Artify’ on the Universi­ty’s campus.

Running from November 26 to December 2, the event showcases drawings and paintings by eight visual artists selected by the University.

The artists participated in a two-week skills and business orientation training before the exhibition, where they were coached on art practice fundamentals, copyright and intellec­tual property, entrepreneurship, and business management.

The training was to help the art­ists upscale their craft and expand their client reach, equipping them to become more business-oriented art professionals.

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The Artify project, under the theme Amplifying Art as a Business, was conceived by the University of Ghana’s Office of Research, Innovation, and Development (ORID).

Professor Felix Ankomah Asante, Pro Vice-Chancellor, Research, Innova­tion and Development, University of Ghana, said they aimed to equip them with the necessary tools and skills to thrive as artists and entrepreneurs.

“This initiative nurtures talent and fosters entrepreneurial spirit among young aspiring artists. Together, we cultivate creativity and transform passion into sustainable careers,” he said.

Prof. Asante said that the skills required to run an art business were often overlooked, as art was common­ly perceived as a hobby that doesn’t necessitate specialised management skills.

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He argued that by integrating busi­ness and project management skills into the art ecosystem in Ghana, more organisations and investors could be encouraged to support creatives.

Madam Odile Tevie, Director of Nubuke Foundation, called on author­ities to create more platforms, similar to the Artify exhibition, where artists could showcase their work.

She advocated the establishment of visual arts spaces in communities, where local talents could receive training and be nurtured in their craft.

Mr Sedem Atsu Avornyo, one of the participating artists, praised the University and its partners for the initiative.

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He noted that his knowledge and skills had been greatly enriched, bet­ter preparing him for the job market. –GNA

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 Swallowed by the Sea! …Keta’s coastal lines, landmarks, efforts to preserve heritage

Fragments of a once inhabited home now lie submerged, swallowed by the encroaching waters along Keta’s coast(1)

 The Atlantic Ocean is no longer a distant blue horizon for the people of Keta.

It now circles around their doorsteps, uninvited, unrelent­ing, pulling down walls and other structures, erasing memories, and threatening lives.

Hovering precariously between the restless sea and the Keta Lagoon, this once-thriving coastal town is slowly being obliterated.

Salt water has become both a physical and metaphorical threat, dissolving the town’s past as fast as it claims its future.

Madam Aku Atitso, 62, lives in a crumbling former Prisons Service quarters – one of the few struc­tures still standing on the eroded stretch of Queen Street.

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She sits quietly at the entrance, preparing a modest breakfast for herself and her granddaughter.

The air is thick with salt and silence. “The sea took everything,” she says softly. “My husband’s nets, our mattress, our memories all gone overnight.” Her voice trem­bles. “This place too is dying. But it’s the last place with a roof over my head.”

A few metres away, Aunty Esi­nam, 79, watches the sea from a low stool beside a wooden shelter. Her eyes do not blink. “That spot,” she points, “used to be someone’s living room, a whole family lived there”.

Efo Agbeko stands atop the sea defence wall, pointing toward the vast Atlantic Ocean, marking the spot where buildings once stood before the sea claimed them

It’s not just homes that are van­ishing. Landmarks that anchored Keta’s cultural identity are dis­appearing one after another. The once-imposing Fort Prinzenstein, a haunting relic of the transatlantic slave trade is now more of a ruin than a monument.

The colonial-era Bremen factory, the old cinema where generations of children once laughed at flick­ering black-and-white films is also gone.

Queen Street, once the town’s bustling backbone, is now a watery corridor choked with debris.

Standing atop a section of the sea defence wall, 69-year-old retired teacher Efo Kwasi Agbeko surveys what remains.

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“The first police station is mostly gone,” he says, gesturing part of the building stuck in the sea sand, only ruins and a few rooms remain.

Children play on a fishing canoe grounded in the sand a moment of joy amidst the quiet rhythms of coastal life.

“This town is fighting, but the sea is winning,” he said.

Even the Cape St. Paul Light­house, Keta’s historic sentinel, leans perilously toward the water, and fishermen say holes in the shore are opening more frequently, sometimes every week.

That leaves a thick cloud of uncertainty hanging around the historic town of Keta.

Once upon a time, it was a vi­brant town noted for business but currently left with ruins with a few of the residents watching in awe the sea’s devastation.

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From: Geoffrey Kwame Buta, Keta, Volta Region

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 Ghanaians climax Easter with fun-filled activities

• Awards given for outstanding performance
• Awards given for outstanding performance

Christians around the world and other faith based groups last Monday cli­maxed the Easter celebration with a number of fun-filled outdoor and indoor activities.

With streets empty, fun seekers stormed church premises where picnics were held while others partied in many ways.

Others spent the day at the various beaches and music and film shows occu­pying the others.

At the churches, participants engaged in bible reading, football, volleyball, playing cards, table tennis, horse racing, bouncing castles, swimming and oware.

Others played ludo, tag of war, lime and spoon, draught, music competitions among others.

The Spectator captured some of the exciting scenes around Accra-Tema for the benefit of readers.

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 Story & pictures by Victor A. Buxton

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