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VGMA calls for entries: Board to decide on Shatta Wale and Stonebwoy-PRO

Organisers of Vodafone Ghana Music Awards,(VGMA) Charterhouse on Tuesday issued a statement calling for entries from musicians and record labels ahead of the 22nd edition of the award scheme.

This would allow them to nominate artistes who excelled in the year under review to compete for the ultimate in the various categories.

For this reason, many Ghanaian music lovers have wondered whether Shatta Wale and Stonebwoy could enter their songs for nominations.

This seems not to be a cushy task, as the Public Relations Officer (PRO) Robert Klah, disclosed to The Spectator that it would be a decision for the board of the VGMA.

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Mr Klah urged music lovers to wait patiently for the board to make a decision to lift the ban and allow both artistes file their entries or otherwise.

On the call for entries, he said they decided to do away with the manual submission to fully go online for applicants to submit their entries via www.entry.ghanamusicawards.com, due to some challenges encountered, and the current COVID situation.

He added that stakeholders would have between now and February 15, to enter  songs they released between January 1, 2020 and December 31, same year.

Mr Klah noted that this entries did not include Unsung category, and that the process would be announced on February 15.

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According to him, this would allow for sorting out ahead of nominee announcement, public voting and the main show.

By Edem Mensah-Tsotorme

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Entertainment

 Miss Ghana 2025 finalists unveiled

• Miss Ghana finalists
• Miss Ghana finalists

 The talented 16 contestants have been unveiled at a grand ceremony held at the Tang Palace Hotel in Accra last Saturday.

These finalists made the cut following gruelling auditions in No­vember 2024, where young women from across the country show­cased their beauty, intelligence, and passion for service.

According to the organisers, the search is for a queen who exem­plifies selflessness, intelligence, discipline, and dedication to soci­etal service.

The contestants will go through calculated weekly tasks ahead of the highly anticipated grand finale on March 29, 2025.

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Each contestant will now rep­resent their respective regions as they compete for the prestigious Miss Ghana 2025 crown.

Organised by Exclusive Events Ghana and Miss Ghana Foundation, the Miss Ghana pageant is more than just a beauty competition.

As part of the modalities, the winner will not only represent Ghana on the global stage at Miss World but will also lead charitable initiatives under the Miss Ghana Foundation, focusing on support­ing vulnerable communities.

The contestants expressed their readiness to prove their mettle in the competition for the ultimate.

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This year’s pageant is being sponsored by Bullet TV and sup­ported by Gold Presence, Tang Palace Hotel, Belaqua, Bel Bever­ages Ghana, Pippa’s Health Cen­tre, Central Hotel, Accra, Airport Women’s Hospital, Renault Ghana, and Premium Motors Limited.

The rest include Dainess Chefs School, Eye360security, Hottees Ghana, Dyeweb fabrics, BELLE cosmetics, Akagres bakery, Blaq travels and Kingdom Books & Sta­tionery among others.

 By Edem Mensah-Tsotorme  

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Entertainment

 Felicia Boadu releases ‘Adom Wura’

• Felicia Boadu
• Felicia Boadu

 Ghanaian gospel musician and philanthropist, Felicia Boadu, has released her new single titled ‘Adom Wura’ a powerful message to the world.

This inspiring gospel song is a beau­tifully curated blend of traditional African rhythms and contemporary gospel sounds, crafted to appreciate, adore, and honour God as the ultimate source of grace.

With her unique voice and distinc­tive style, Felicia delivers music that uplifts and deeply resonates with her audience.

As a rising figure in contemporary gospel music, she aims to capture the hearts and souls of all who listen to her songs.

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Backed by Supreme Media Solutions, Felicia is poised to reach new heights in her music career.

Her latest single Adom Wura, which translates to Conveyor of Grace, was produced by Dan Bassey.  

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