Entertainment
Why Patience Nyarko got it wrong “attacking” Joe Mettle
I had the surprise of my life this weekend, when I heard a gospel musician, Patience Nyarko, expressing disaffection for the hype of a colleague, Joe Mettle.
From the nature of gospel music genre, and what goes into it, it should be the last place where an artiste would be embittered by the rise of a colleague.
It was really surprising for such words to come from a gospel artiste even if provoked to the highest degree.
A true gospel musician is called by God and he or she understands the ministry and as such, must be guided by the Holy Spirit when making utterances about the ministry.
Why should gospel artiste Patience Nyarko be irked by a radio presenter, OB Nartey’s assertion that “Joe Mettle is the only artiste with an international appeal.”
This claim was seconded on Onua FM’s “Anigye Mmre” entertainment programme by another Ghanaian promoter, Allordia, in the United Kingdom.
According to Allordia, “most local gospel musicians billed for shows in UK flop, with the exception of Joe Mettle”.
This did not go down well with the “Obi Nyane Me” hitmaker, who felt it was an insult to other gospel artistes in the country.
Against this backdrop, she “fired” Joe Mettle on the show when expressing her disappointment, saying, “Joe Mettle doesn’t deserve his hype and that he mostly sings existing hymns.”
For her, there were other amazing talents other than Joe Mettle who wrote their own songs and must enjoy the spotlight, adding that Joe Mettle, who had been around for over a decade had not reached where Ghanaians were trying to project him.
At best Patience Nyarko and other musicians should ask themselves what is making Joe Mettle attractive to international gigs and all the hype as well as what he puts in his songs.
It must be made clear that there is no problem with a gospel artiste singing existing songs or hymns, rather it is how one is able to move the crowd and make ‘annointing’ rain on the congregation.
One mark of a gospel artiste is how to make the Holy Spirit fill a room during performances among others, not whose song it is. Congregation concentrates on the anointing, not composers.
By Edem Mensah-Tsotorme
Entertainment
Charman K makes strong fashion statement at TGMA26
Musician Sylvester Kwakye, widely known in showbiz circles as Chairman K, made a bold statement at the Telecel Ghana Music Awards (TGMAs 2025) with not only his commanding presence but his striking sense of fashion—heralding what appears to be a confident return to the music scene.
Clad in a sharp, dark blue tailored suit accentuated with elaborate gold embroidery along the shoulder and sleeve, Chairman K stood tall and proud against a vivid red backdrop.
The outfit, paired with a crisp white shirt, slim black tie, and a regal black traditional cap with gold designs, symbolized both cultural pride and personal reinvention. His look drew admiration, capturing the attention of many at the event for its blend of sophistication and identity.
Chairman K has been a notable figure in Ghana’s music industry since 1999. He shot to fame in 2003 with his nationwide hit “AIDS Aduro”, a song that resonated across communities for both its rhythm and message.
Over the years, he has collaborated with celebrated Ghanaian artistes such as Flowking Stone and Kwadwo Nkansah (LilWin).
However, the journey hasn’t always been smooth. Balancing academics and music proved challenging, prompting him to pause his music career to pursue higher education.
Chairman K is an alumnus of Osei Kyeretwie Senior High School (OKESS) and holds both a Bachelor’s and Master’s degree in Mathematics Education.
Now, he returns to the limelight with new music, including “Wogye Wo Din” and the controversial “M3bo Wo Dua”, which sparked public debate and a fiery clash with outspoken entertainment critic Sally Mann.
Following Sally’s critique of his song recently, the musician, without equivocation, threatened to assault the critic, as he deemed the remarks as an attack on his career.
With plans to collaborate with artistes from Nigeria, Liberia, and South Africa, Chairman K’s resurgence signals not just a comeback, but a reinvention—and judging by both his style and energy, he’s back with a bang.
The 26th Telecel Ghana Music Awards was held at the Grand Arena on Saturday, May 10, 2025.
Entertainment
TGMA26: Empress Gifty makes history, wins maiden Traditional Gospel Song Category
Ghanaian gospel musician Empress Gify on Saturday, May 10, made history by winning maiden Traditional Gospel Song of the Year at this year’s Telecel Ghana Music Awards.
The event held at the Grand Arena brought together stakeholders in the Ghana music industry.
On the night, musicians who excelled in the year under review were awarded for their resilience and contributions to Ghana music.
On the night, Empress Gifty’s Watch Me was adjudged Best Traditional Gospel Song.
By winning this, Empress Gifty became the first Gospel Artiste to emerge as winner of the Traditional Gospel Song of the Year.
The earlier Gospel Song category made way for the introduction of Best Urban/Contemporary Gospel Song and Traditional Gospel Song categories.
The Gospel musician expressed his appreciation to her team and husband for their unflinching support for her ministry.
She also lauded musician Kuami Eugene for writing and producing such a masterpiece.
Empress Gifty finally dedicated the award to the memory of her mother, Evangelist Agnes Annan, affectionately called Agaga.
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