News

Right to Information Law: a framework to combat corruption?

Dear Editor,

Over the years, journalists, civil society and anti-corruption advocates have campaigned for the passage of the Right to Information (RTI) Bill and argued that the inexistence of the law inhibits people from knowing what is happening in public institutions, and this breeds corruption.

Even though the right to information is a basic right enshrined in the 1992 Constitution of Ghana, it took decades for the country to promulgate the RTI to provide the legal framework for the implementation of the constitutional right to access information from public institutions.

After years of long winding parliamentary processes, the bill was finally passed on March 26, 2019 and assented to by President Nana Dankwa Akufo-Addo on May 21, 2019.

The Act explains the procedures for access to official information, and also highlights some exemptions.

From section five (5) to 17 of the RTI Act, 2019 (Act 989) is about information exempted from the Act, which include information for the President, Vice President or Cabinet.

Others are related to public safety, law enforcement, economic information of third parties, personal matters, parliamentary privilege, issues affecting international relations and security of the state.

Just like other critics of the Act, I also hold the view that some of the exemptions raise question over whether or not sections of the law could be a deliberate cover up for wrongdoings of public institutions or governments.

For instance, the section 10(f) in the Act exempts the disclosure of information where “the information contains questions or methodology to be used in an examination, recruitment or selection process and the release is likely to jeopardise the integrity of that examination, recruitment or selection process.”

Despite the use of public safety as an excuse to conceal wealth of public information, the Act recognises the principle of utility as it is stated in the section 17 (1) that, if the benefits of disclosure of the information outweigh the harm that disclosure will cost and it is of public interest, then the information is not exempted from disclosure.

Persons who have taken a closer look at the Act suggest there are too many exemptions that do not provide an enabling environment to assess public institutions and subject them to proper scrutiny to help fight corruption.

Even as public education on the law is gathering momentum, there have been calls for a review of the exemptions in the Act. Those that do not qualify the “harm and public interest” test be expunged.

Meanwhile, Parliament was yet to approve fees applicable to the request of public information under the Act. That must also be fast tracked.

Cinderella Arhinful-Mensah

Student, Ghana Institute of Journalism (GIJ)

News

Avonsige: The intersection of fashion and culture

As I speak to Avonsige Ayinemi Augustina, the visionary CEO and Creative Director of AVONSIGE, she passionately shares her journey with me.

Her voice carries both confidence and warmth, mirroring the essence of her designs yet deeply rooted in culture.

“Fashion for me, is more than just clothing,” she told me. “It is a language, a way of expressing identity, and a bridge that connects our past, present, and future. Every piece I create tells a story, and that story begins with Ghana.”

Her love affair with fashion began as a teenager when she was captivated by an avant-garde show that left an indelible mark on her creative spirit.

“I knew then that I wanted to design unforgettable pieces of garments that leave an impact long after they are worn,” she added.

Encouraged by her supportive parents, she pursued visual arts and textiles, laying the foundation for AVONSIGE, a brand that has since become synonymous with elegance, cultural appreciation, and innovation.

She explains that, AVONSIGE is not just about garments, but rather a gateway into Ghanaian culture, with a signature aesthetic that merges pristine whites with rich indigenous textiles.

Again, she said that people have to see Ghanaian smock and kente, fabric and wear them with pride, knowing that each weave carries centuries of history.

She beams as she described her mission of creating a safe space to understand and appreciate the Ghanaian lifestyle and traditions as the country celebrate Ghanaian heritage month.

Fashion should be a conversation starter, a way to carry our history with us. When you wear AVONSIGE, you are not just wearing fabric; you are wearing the soul of Ghana.”

She paused, then added, “To know our attire is to know our worth.”

Avonsige takes immense pride in sourcing authentic fabrics from the Upper East Region of Ghana. “Our styles and textiles are deeply rooted in the craftsmanship of northern Ghana,” she told me. “From the intricate handwoven smocks to the vibrant kente, each fabric carries the legacy of our ancestors, and we ensure that authenticity is preserved in every piece,” she indicated.

Avonsige’s passion for storytelling is evident in every project she undertakes. “I wanted to push beyond the runway,” she said, eyes alight with excitement.

Her commitment to preserving Ghanaian narratives through fashion is unwavering. “Every stitch, every pattern has meaning,” she noted. “That’s the beauty of our craft – it is a living, breathing testament to who we are.”

Beyond luxury and aesthetics, AVONSIGE is deeply rooted in philanthropy. “Fashion should not only inspire but also uplift,” she tells me. Through her annual initiative, AVONSIGE Runway for a Cause, she recreated original designs into Christmas outfits for orphans and underprivileged children in northern Ghana.

“This is something very close to my heart,” she said with a softening voice. “It is my way of giving back, of ensuring that every child feels valued and beautiful.”

As our conversation draws to a close, Avonsige leaves me with a profound thought: “Fashion is not just about what we wear – it is about the stories we carry, the heritage we embrace, and the future we envision.”

Through her passion, creativity, and unwavering dedication, Avonsige Ayinemi Augustina has turned AVONSIGE into more than just a brand. It is a movement, a celebration of culture, elegance, and purpose.

Join her on this extraordinary journey where fashion is more than a trend, it is a lifestyle, a cultural bridge, and a force for change.

By Geoffrey Buta

News

Who wears the crown? …as 13 contestants mount stage in 2025 Miss Ghana Beauty Pageant tonight

Thirteen young and vibrant ladies selected across the regions of Ghana will vie for the prestigious 2025 Miss Ghana Beauty Pageant crown as the event is held today at the Avenue Event Center in Accra.

Each contestant will rep¬resent their respective regions as they compete for the prestigious crown.

The contestants have gone through the weekly tasks ahead of the highly anticipated grand finale.

According to the organisers, this year’s winner will not only represent Ghana on the global stage at Miss World but also lead charitable initiatives under the Miss Ghana Foundation, focusing on support¬ing vulnerable communities.

Below are briefs about the contestants.

Deborah Fidelia Naa Ayeley

Deborah Fidelia Naa Ayeley, is a 25- year old Christian and hails from the Greater Accra Region. She loves watching movies, reading, listening to music and volunteering.

Nana Adjoa Enninful

Nana Adjoa is an 18-year old lady shaped by the values and culture of her hometown, Winneba in the Central Region. My hobbies include playing basketball, engaging in arts and listening to music.
These activities do not only provide entertainment but also contribute to her

Nutornutsi Priscilla Megblemdio

Nutornutsi Priscilla Megblemdio is a 22-year old from Tadzewu in the Volta Region of Ghana.
She is a proud fashion designer and a model who loves cooking, listening to music and watching movies. She finds passion in team work and always learns something new.

Priscilla Ayeley Kwablah

Priscilla Ayeley Kwablah 23, is a Christian
who loves reading and listening to
music representing the Western North
Region of Ghana.
She believes every lady should be
determined and have the zeal to attain
every height in life.

Stella Afua Sakaa Sak

Stella Afua Sakaa Sak is a graduate of the University of Education, Winneba. She is representing the Western Region proudly.
She is a teacher by profession and an entrepreneur who loves to model and paint in her free time.

Thelma Dzifa Sallah

Thelma is a 22-year old spoken word artist
and a student of the Kwame Nkrumah University of Science and Technology (KNUST).
She hails from the Upper West Region of Ghana.
Her hobbies are reading and writing and
listening to good music.
The Miss Ghana project has always been a
dream she harboured since she was a little
girl but growing up, she realised it is not
just about the crown, the glitter and the
sash.
She now sees the crown as a symbol of
change in the lives of not only the ladies
participating but also a change in the lives
of the marginalised group of people in the
country.

Theresa Weyerane Adiali

Theresa Weyerane Adiali, 28, is a journalist with the Media Foundation for West Africa as an Investigative Journalism Fellow with a background in communication, and a passion for impactful storytelling.
Theresa has been a force in driving change for the marginalised communities
through humanitarian work with
UNICEF Ghana, and as a radio and TV news broadcaster.
Theresa envisions Miss Ghana as a platform to empower rural women and children in climate displaced communities in Ghana.

Angelina Elikplim Quason-Coffie

Angelina Elikplim Quason-Coffie is a final year student Physician Assistant.
Crocheting and reading are the hobbies she enjoy. Combining beauty, intellect and a deep commitment to societal impact, she aims to use the platform to advocate better
healthcare and welfare of aged men and women.
Her project focuses on improving access to quality healthcare while providing essential support and care for the elderly in communities.

Emmanuella Kudjordji

Emmanuella Kudjordji is a 24-year old professional teacher and a model from Denu in the Volta Region of Ghana.
She loves to promote girls education hence, her project titled, ‘Empowering girls, empowering the nation.’
She loves to model, listen to music and dance.

Jutta Ama Pokuah Addo

Jutta Ama Pokuah Addo is a 20-yearold
Christian from the Central Region
who loves golf and painting.
She is a dual student at the University
of Professional Studies, Accra and Wisconsin International University.
She sees herself as a young woman
with a bold spirit with a bright future
ahead of her.

Maud-Gail Cindy Nuworgah

Maud-Gail Cindy Nuworgah is a proud Voltarian and recently graduated from the University of Cape Coast, where she developed
a strong foundation in her chosen field of study.
Driven by a passion for self-improvement and community impact, she aims to use her
skills and experiences to contribute positively to society.
She values hard work, resilience, and cultural pride, to shape her outlook on life and aspirations.

Oduro Maud Anti

Oduro Maud Anti is honoured to represent the Ashanti Region as a delegate for Miss Ghana 2025.
She is a 22-year-old student of the Krobo Girls’ Senior High School who progressed to read Bsc. Information Technology at the
University of Ghana.
She is passionate about mental health awareness and girls’ education and aspires to inspire young girls to dream big and
pursue their goals with determination. She is driven by Ghana’s rich culture and resilience.

Melissa Mintah

Melissa Mintah is a 26 years old graduate from the Central University. She is an ambitious young woman pursuing a dream to become a lawyer.
With a passion for justice and a heart for advocacy, she balances her rigorous studies in law with grace and poise on the pageant stage.
Her dedication to education is matched by a commitment to empower others, using the platform to promote important social causes and ending poverty.
In addition to her academic and pageant
pursuits, she loves to cook and find
joy in creating delicious meals for family
and friends.