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Celebrating the rise of girl child education: A milestone in achieving gender equality

• Girls face several challenges in accessing education

Girls face several challenges in accessing education

Over the past few decades, Ghana has made considerable progress in girls’ education.

There has been a significant so­cietal shift in the value and priority given to girl child education, which is now seen as a fundamental right and a crucial element of a prosperous society.

The country is close to achieving gender parity in enrollment at the pri­mary and secondary education levels.

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Girls face several challenges in ac­cessing education, including poverty, gender inequality, distance to school, child marriage, child labour, training, menstruation cycles at school, costs of education etc.

However, the relentless efforts of activists, educators, and policymakers have led to a remarkable transforma­tion in girl child education.

One of the key improvements in girl child education is the rise in enrollment rates. As per the Unit­ed Nations (UN), the global primary school enrollment rate for girls has increased from 73 per cent in 2000 to 83 per cent in 2018.

This achievement indicates that more girls now have access to basic education and the necessary skills to build a better future.

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There has also been a substantial increase in the number of females attending secondary schools as com­pared to males. This change is a tes­tament to the efforts of governments and organisations to ensure that girls receive high-quality education.

United Nations Children’s Fund (UNICEF), along with other partners, is working to ensure that education professionals receive gender training and continue to address barriers to pave a clear way for girls in Ghana to make progress in basic education.

There are also attempts to reach girls at the Senior High School (SHS) with a focus on STEM (Science, Tech­nology, Engineering, and Mathematics) and skill development.

UNICEF is also actively working on reforming school curriculums so that issues of equity, gender, and inclusion are adequately embedded in them.

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Teachers are also being trained to demonstrate professional competence in gender issues and creating a teach­ing workforce that meets the needs of disadvantaged girls and boys.

In a recent interview with some young girls from the Osu Presbyterian School, they expressed gratitude for the opportunity to attend school.

One girl said, “I am happy to be given the freedom to go to school. I was told that back in the 90s, it was not like that, so if I can go to school today, I am happy.”

Another girl added, “I am happy to be in school so I can compete with the boys who think they control the world. Our mothers didn’t have the same opportunities we have today, so I am grateful for the chance to learn and grow.”

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Research has shown that educating girls benefits not only the girls them­selves but also their families, commu­nities, and societies as a whole. Ed­ucated girls are more likely to marry later, have fewer children, and earn higher incomes, leading to improved health, economic growth, and social cohesion.

While there is still much work to be done to ensure that all girls have equal access to education, the progress made in recent years is truly remarkable.

As we continue to strive for gender equality and inclusive education sys­tems, it is important to celebrate the achievements that have already been made and to continue pushing for a brighter future for all girls around the world.

.The author is a student of the University of Media Arts and Commu­nication

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Email: leahdegraft18@gmail.com

 By Leah De-Graft Takyi

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 Avonsige: The intersection of fashion and culture

As I speak to Avonsige Ayinemi Augustina, the visionary CEO and Creative Director of AVONSIGE, she passionately shares her journey with me.

Her voice carries both confidence and warmth, mirroring the essence of her designs yet deeply rooted in culture.

“Fashion for me, is more than just clothing,” she told me. “It is a language, a way of express­ing identity, and a bridge that connects our past, present, and future. Every piece I create tells a story, and that story begins with Ghana.”

Her love affair with fashion began as a teen­ager when she was captivated by an avant-garde show that left an indelible mark on her creative spirit.

“I knew then that I wanted to design unforget­table pieces of garments that leave an impact long after they are worn,” she added.

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Encouraged by her supportive parents, she pursued visual arts and textiles, laying the foundation for AVONSIGE, a brand that has since become synonymous with elegance, cultural appreciation, and innovation.

She explains that, AVONSIGE is not just about garments, but rather a gate­way into Ghanaian culture, with a signature aesthetic that merges pristine whites with rich in­digenous textiles.

Again, she said that people have to see Ghanaian smock and kente, fabric and wear them with pride, knowing that each weave carries centuries of history.

She beams as she described her mission of creating a safe space to un­derstand and appreciate the Ghanaian lifestyle and traditions as the country celebrate Ghanaian heritage month.

Fashion should be a conversation starter, a way to carry our history with us. When you wear AVONSIGE, you are not just wearing fabric; you are wearing the soul of Ghana.”

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She paused, then added, “To know our attire is to know our worth.”

Avonsige takes immense pride in sourcing authentic fabrics from the Upper East Region of Ghana. “Our styles and textiles are deeply rooted in the craftsmanship of northern Ghana,” she told me. “From the intricate handwoven smocks to the vibrant kente, each fabric carries the legacy of our ancestors, and we ensure that authenticity is preserved in every piece,” she indicated.

Avonsige’s passion for sto­rytelling is evident in every project she undertakes. “I wanted to push beyond the runway,” she said, eyes alight with excitement.

Her commitment to preserv­ing Ghanaian narratives through fashion is unwavering. “Every stitch, every pattern has meaning,” she noted. “That’s the beauty of our craft – it is a living, breathing testament to who we are.”

Beyond luxury and aesthetics, AVONSIGE is deeply rooted in philanthropy. “Fashion should not only inspire but also uplift,” she tells me. Through her annual initiative, AVONSIGE Runway for a Cause, she recreated original designs into Christmas outfits for orphans and underprivileged children in northern Ghana.

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“This is some­thing very close to my heart,” she said with a softening voice. “It is my way of giving back, of ensuring that every child feels valued and beautiful.”

As our conversa­tion draws to a close, Avonsige leaves me with a profound thought: “Fashion is not just about what we wear – it is about the stories we carry, the heritage we embrace, and the future we envision.”

Through her passion, creativity, and unwaver­ing dedication, Avonsige Ayinemi Augustina has turned AVONSIGE into more than just a brand. It is a movement, a celebration of culture, ele­gance, and purpose.

Join her on this extraordinary journey where fashion is more than a trend, it is a lifestyle, a cultural bridge, and a force for change.

 By Geoffrey Buta

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 Who wears the crown? …as 13 contestants mount stage in 2025 Miss Ghana Beauty Pageant tonight

 Thirteen young and vibrant ladies se­lected across the regions of Ghana will vie for the prestigious 2025 Miss Ghana Beauty Pageant crown as the event is held today at the Avenue Event Center in Accra.

Each contestant will rep¬resent their respective re­gions as they compete for the prestigious crown.

The contestants have gone through the weekly tasks ahead of the highly anticipated grand finale.

According to the organ­isers, this year’s winner will not only represent Ghana on the global stage at Miss World but also lead charita­ble initiatives under the Miss Ghana Foun­dation, focusing on support¬ing vulnerable com­munities.

Below are briefs about the contes­tants.

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Deborah Fidelia Naa Ayeley, is a 25- year old Christian and hails from the Greater Accra Region. She loves watching movies, reading, listening to music and volunteering.

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Priscilla Ayeley Kwablah 23, is a Christian
who loves reading and listening to
music representing the Western North
Region of Ghana.
She believes every lady should be
determined and have the zeal to attain
every height in life.

Thelma is a 22-year old spoken word artist
and a student of the Kwame Nkrumah University of Science and Technology (KNUST).
She hails from the Upper West Region of Ghana.
Her hobbies are reading and writing and
listening to good music.
The Miss Ghana project has always been a
dream she harboured since she was a little
girl but growing up, she realised it is not
just about the crown, the glitter and the
sash.
She now sees the crown as a symbol of
change in the lives of not only the ladies
participating but also a change in the lives
of the marginalised group of people in the
country.

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Theresa Weyerane Adiali, 28, is a journalist with the Media Foundation for West Africa as an Investigative Journalism Fellow with a background in communication, and a passion for impactful storytelling.
Theresa has been a force in driving change for the marginalised communities
through humanitarian work with
UNICEF Ghana, and as a radio and TV news broadcaster.
Theresa envisions Miss Ghana as a platform to empower rural women and children in climate displaced communities in Ghana.

Jutta Ama Pokuah Addo is a 20-yearold
Christian from the Central Region
who loves golf and painting.
She is a dual student at the University
of Professional Studies, Accra and Wisconsin International University.
She sees herself as a young woman
with a bold spirit with a bright future
ahead of her.

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