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Create programmes to deal with global trend – Prof Akakpovi

Prof Amevi Akakpovi, Pro-Vice Chancellor, ATU

Applied Science and Technologies and Technical, Vocational and Education Training (TVET) Institutions have been asked to create innovative programmes, short courses, research groups and centres to deal with emerging global and national trends.

They are encouraged to collaborate with relevant industries to find workable Memorandum of Understanding (MoU) programmes on campus.

The Pro-Vice Chancellor of Accra Technical University (ATU), Prof Amevi  Akakpovi, who delivered the keynote address at the First Poster and Exhibition Conference on the theme, “Innovative Technologies in Applied Sciences”, at the university, said the world was rapidly changing and technology was the main driver in this regard.

He said Disruptive Technology was a new innovation that had significantly changed the way an existing market or industry operated, adding that though it initially met resistance, they could transform how industry functioned.   

Prof Akakpovi listed some of the top disruptive technologies as 3D Printing, 5G and Improved Connectivity,  Artificial  Intelligence and Machine Learning, Automatic and Robotics, Cyber Security Advances , Virtual and Augmented Reality, The Work- From- Home Revolution, Voice –Activated Searches,  Internet of Things ( IoT) and Edge Computing.

Mr Saed Alhassan explaining a point to guests Photos – Lizzy Okai

He said Artificial Intelligence (AI) and Machine Learning were a method of making a computer-controlled robot, or a software think intelligently like the mind of the human. He disclosed that by 2030, about 50 billion devices would be in use around the world, and this would create a massive web of interconnected devices with the global spending estimated to reach US D 1.1 trillion by the end of this year.

Prof Akakpovi explained that AI was accomplished by studying the patterns of the human brain and by analysing the cognitive process, the outcome of these studies had developed intelligent software and systems.

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He said AI had received a lot of commendation in the past and continued to be one of the technology trends because it was known for its superiority in image and speech recognition, navigation apps, smartphone personal assistants, ride-sharing apps among others.

The Pro-Vice Chancellor said the IT was the future and had already enabled devices, home appliances, cars and much more to be connected to and exchange data on the internet.

He said edge computing was a paradigm that brought computation and data storage closer and was expected to improve response times and save bandwidth.

Prof Edmund Ameko, the chairman of the Exhibiting Team also said the Computer Science Department had developed a software which would capture new people in a particular premise and track them with a specific numbers, and another software which could translate a person’s voice into writing.

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Mr Johnson Opoku-Boateng, the Director of Business Development Services at the Association of Ghana Industries (AGI) and Founder of QA Consult who was the Guest Speaker, called for support for universities to carry out research in technology which would help in the establishment of business incubator among others.

Prof Alice Constance Mensah, the Dean, Faculty of Applied Sciences (ATU), also urged students to develop apps and gadgets which would enable them to develop their own devices to speed up development.

Justice Nyarko, a student in the 3D Printing and Drones Department said the printer was used to manufacture the prototype of any design including human parts to precision, adding that the machine would enable operators to bring their creativity to reality.

By Raymond Kyekye

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 Avonsige: The intersection of fashion and culture

As I speak to Avonsige Ayinemi Augustina, the visionary CEO and Creative Director of AVONSIGE, she passionately shares her journey with me.

Her voice carries both confidence and warmth, mirroring the essence of her designs yet deeply rooted in culture.

“Fashion for me, is more than just clothing,” she told me. “It is a language, a way of express­ing identity, and a bridge that connects our past, present, and future. Every piece I create tells a story, and that story begins with Ghana.”

Her love affair with fashion began as a teen­ager when she was captivated by an avant-garde show that left an indelible mark on her creative spirit.

“I knew then that I wanted to design unforget­table pieces of garments that leave an impact long after they are worn,” she added.

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Encouraged by her supportive parents, she pursued visual arts and textiles, laying the foundation for AVONSIGE, a brand that has since become synonymous with elegance, cultural appreciation, and innovation.

She explains that, AVONSIGE is not just about garments, but rather a gate­way into Ghanaian culture, with a signature aesthetic that merges pristine whites with rich in­digenous textiles.

Again, she said that people have to see Ghanaian smock and kente, fabric and wear them with pride, knowing that each weave carries centuries of history.

She beams as she described her mission of creating a safe space to un­derstand and appreciate the Ghanaian lifestyle and traditions as the country celebrate Ghanaian heritage month.

Fashion should be a conversation starter, a way to carry our history with us. When you wear AVONSIGE, you are not just wearing fabric; you are wearing the soul of Ghana.”

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She paused, then added, “To know our attire is to know our worth.”

Avonsige takes immense pride in sourcing authentic fabrics from the Upper East Region of Ghana. “Our styles and textiles are deeply rooted in the craftsmanship of northern Ghana,” she told me. “From the intricate handwoven smocks to the vibrant kente, each fabric carries the legacy of our ancestors, and we ensure that authenticity is preserved in every piece,” she indicated.

Avonsige’s passion for sto­rytelling is evident in every project she undertakes. “I wanted to push beyond the runway,” she said, eyes alight with excitement.

Her commitment to preserv­ing Ghanaian narratives through fashion is unwavering. “Every stitch, every pattern has meaning,” she noted. “That’s the beauty of our craft – it is a living, breathing testament to who we are.”

Beyond luxury and aesthetics, AVONSIGE is deeply rooted in philanthropy. “Fashion should not only inspire but also uplift,” she tells me. Through her annual initiative, AVONSIGE Runway for a Cause, she recreated original designs into Christmas outfits for orphans and underprivileged children in northern Ghana.

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“This is some­thing very close to my heart,” she said with a softening voice. “It is my way of giving back, of ensuring that every child feels valued and beautiful.”

As our conversa­tion draws to a close, Avonsige leaves me with a profound thought: “Fashion is not just about what we wear – it is about the stories we carry, the heritage we embrace, and the future we envision.”

Through her passion, creativity, and unwaver­ing dedication, Avonsige Ayinemi Augustina has turned AVONSIGE into more than just a brand. It is a movement, a celebration of culture, ele­gance, and purpose.

Join her on this extraordinary journey where fashion is more than a trend, it is a lifestyle, a cultural bridge, and a force for change.

 By Geoffrey Buta

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 Who wears the crown? …as 13 contestants mount stage in 2025 Miss Ghana Beauty Pageant tonight

 Thirteen young and vibrant ladies se­lected across the regions of Ghana will vie for the prestigious 2025 Miss Ghana Beauty Pageant crown as the event is held today at the Avenue Event Center in Accra.

Each contestant will rep¬resent their respective re­gions as they compete for the prestigious crown.

The contestants have gone through the weekly tasks ahead of the highly anticipated grand finale.

According to the organ­isers, this year’s winner will not only represent Ghana on the global stage at Miss World but also lead charita­ble initiatives under the Miss Ghana Foun­dation, focusing on support¬ing vulnerable com­munities.

Below are briefs about the contes­tants.

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Deborah Fidelia Naa Ayeley, is a 25- year old Christian and hails from the Greater Accra Region. She loves watching movies, reading, listening to music and volunteering.

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Priscilla Ayeley Kwablah 23, is a Christian
who loves reading and listening to
music representing the Western North
Region of Ghana.
She believes every lady should be
determined and have the zeal to attain
every height in life.

Thelma is a 22-year old spoken word artist
and a student of the Kwame Nkrumah University of Science and Technology (KNUST).
She hails from the Upper West Region of Ghana.
Her hobbies are reading and writing and
listening to good music.
The Miss Ghana project has always been a
dream she harboured since she was a little
girl but growing up, she realised it is not
just about the crown, the glitter and the
sash.
She now sees the crown as a symbol of
change in the lives of not only the ladies
participating but also a change in the lives
of the marginalised group of people in the
country.

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Theresa Weyerane Adiali, 28, is a journalist with the Media Foundation for West Africa as an Investigative Journalism Fellow with a background in communication, and a passion for impactful storytelling.
Theresa has been a force in driving change for the marginalised communities
through humanitarian work with
UNICEF Ghana, and as a radio and TV news broadcaster.
Theresa envisions Miss Ghana as a platform to empower rural women and children in climate displaced communities in Ghana.

Jutta Ama Pokuah Addo is a 20-yearold
Christian from the Central Region
who loves golf and painting.
She is a dual student at the University
of Professional Studies, Accra and Wisconsin International University.
She sees herself as a young woman
with a bold spirit with a bright future
ahead of her.

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