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Ernest Twum Barima makes coconut husk, plastic waste valuable

●●Ernest Twum Barima operating from his makeshit factory

Realising the extent of waste pollution in his vicinity and the country at large, he thought of alternative ways to make good use the situation. He ended up creating a job for himself and a few others.

Here is Mr Ernest Twum Barima, the young university graduate, whose company produces smokeless and long-lasting charcoal briquettes from coconut husk.

The product, targeted at households and institutions, continues to earn positive review and commendation as the manufacturer intends to scale up production to meet local and international demand.

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Ernest is a graduate of Koforidua Technical University (KTU) and Valley View University. He studied Purchasing and Supply at KTU before proceeding to Valley View where he obtained Bachelor of Education (B.Ed.) and Information Technology in Education Management.

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He conceived the business idea while studying at Valley View University and decided to roll it out after many attempts to secure a job.

Throughout his educational journey, he had dreamt of establishing his own company and it is, therefore, not surprising that he has surmounted the hurdle.

Currently based at Kyebi-Afiesa in the Eastern Region, the venture known as Adepafie Market Company Limited, began when he procured and distributed 100 pieces of waste bins to encourage responsible waste disposal.

As time went by, he noticed the volume of waste generated daily by coconut vendors in his area and decided to conduct studies into unconventional uses of the discarded coconut husk.

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“After I discovered other uses of the coconut husk, I gave empty sacks to the coconut sellers and asked them to offload the husks at my house at the end of every business day.

“My family initially could not come to terms with why I was turning our house into a dumpsite for coconut husk and even thought I had lost my mind,” he told The Spectator. 

Unperturbed by these unsavoury comments, however, Ernest kept fine-tuning his idea until 2019, when he produced the first batch of charcoal briquettes to be used at home.

Community members, impressed with the outcome, subsequently encouraged him to start producing for commercial use.

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Challenges

According to the initiator, steps towards commercialisation was challenging as he sought financial and technical assistance from some private entities but they failed to deliver on their promise after series of engagement with them.

Undauntedly, he relied on personal savings and the support of family and friends to get his idea off the ground. And with barely a year into his business, he has employed six people who are supporting him presently.

Apart from making charcoal briquettes, Ernest again recycles plastic waste into pavement bricks which, he said, could be a substitute for concrete blocks used in road construction.

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Production process

Explaining the making of the charcoal briquettes, he said “the coconut husk is allowed to dry and later burnt and crushed into powder. The powder is then compacted with an organic binder, extruded and moulded into desired shapes and finally left to harden.”

He said he used to go through these processes manually but had now been able to build a makeshift machine which enables him to produce faster.

“I could produce only two bags of charcoal briquette in three days when there was no machine, but I am now able to produce about 10 bags in a day. The quality has improved and it is currently in high demand,” he said.

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The charcoal briquette is packed in paper bags, made from plantain stem, and sold at GH 3.00 per Kilo.

The Chief Executive Officer says he has intended to reduce the price in future and has encouraged traditional charcoal producers to adopt his approach and stop cutting trees for charcoal production.

Future

In spite of the progress made, Ernest continues to fall on the support of family and friends to fund his operations.

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“I could not meet the requests of my clients previously but I can now meet their need within a month with the little machine I use at the moment.

“I receive a lot of orders from across the country and if I get the needed support to expand production I know things would get better,” he noted.

The mini factory for the charcoal briquette, he said, was situated on a piece of family land, and he would require modern machines and vehicles to convey raw materials to help speed up production.

Although the company makes some profit, Ernest says the income generated goes into repayment of loans he has secured from family and friends.

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With the required support, he intends to set up a bigger factory in Accra and Kumasi and employ more youth, should he get the needed support.

By Ernest Nutsugah

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ASWIM lauds Prof Naana Jane Opoku-Agyemang

The Association of Women in the Media, (ASWIM) has congratulated Professor Naana Jane Opoku-Agyemang on her historic achievement as Ghana’s first female Vice President.

The association said her trailblazing journey with sterling accomplishments from academia to politics, is undoubtedly, a vivid inspiration to countless women and girls across Ghana and Africa.

This was contained in a statement signed by its president, Mrs Mavis Kitcher, and copied to The Spectator on Tuesday in Accra.

“ASWIM celebrates your remarkable career, marked by numerous firsts, including the first female Vice-Chancellor of the University of Cape Coast, (UCC), and the first female to hold a professional chair in Ghana, (UCC),” the statement said.

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It said the accomplishments of Prof Opoku- Agyemang were clear testament to the brilliance, resilience and resourceful nature of the complete beautiful African woman.

“As she takes on this new role, ASWIM proudly lauds her commitment to education, women’s empowerment, distinguished public service and patriotism and is very confident that her pursuit of excellence, love for humanity, humility, decency, modesty and commitment to the welfare of the vulnerable will characterise Ghana’s political leadership and public service,” the statement added.

 By Jemima Esinam Kuatsinu

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Entertainment

Demolition of Fantasy Dome unfair — Mark Okraku-Mantey

• Mark Okraku Mantey
• Mark Okraku Mantey

 Months after the Fantasy Dome was dismantled to make way for construction at the Ghana International Trade Fair site, the Deputy Minister of Tourism, Arts and Culture, Mr Mark Okraku-Mantey, has expressed con­cern over the manner the facility was destroyed.

In an interview on Daybreak Hitz with Andy Dosty, Mr Okraku-Mantey criticised the handling of the dome’s dismantling, suggesting that it could have been done without causing damage.

“I don’t think that leadership gave instructions that they should do what happened. The structure was a prefab but I hear the peo­ple destroyed it. That one, we cannot defend it. It is unfair to him (owner). Sometimes, you give instructions and people will go and do things that will make you look bad,” he stated.

When asked about any punitive measure against the workers responsible for the destruction, Mr Okraku-Mantey clarified that the Trade Fair does not fall under his ministry.

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He said he had previously con­tacted the owner, Leslie Quaynor, to discuss relocating the dome, and even suggested the National Museum as a potential site, though it was too small.

The demolition of the 20,000-seat­er Fantasy Dome occurred on March 16, 2024.

According to Dr Agnes Adu, CEO of the Ghana Trade Fair Company Limit­ed, the action was taken after multiple notic­es were given to Quaynor to vacate the premises for redevelopment, as per their tenancy agreement.

Dr Adu noted that all previous tenants had complied except for the Fantasy Dome.

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Quaynor, in an interview with JoyNews, confirmed that his lease had ended, and was in the process of relocating the dome.

He had requested an extension, which was denied, leading him to seek a writ and an injunction from an Accra High Court to halt the demolition.

Despite this, the demolition pro­ceeded, causing significant damage to the structure.

Quaynor described the incident as a major setback, not only for his busi­ness but also for the entertainment industry, which relies on venues like the Fantasy Dome.

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