Entertainment
Noyam’s ‘Dede’ production highlights migration issues through dance
The Noyam African Dance Institute, in partnership with the Culture for Sustainable and Inclusive Peace (CUSP) Network Plus, and the Center for Migration Studies, Legon, has conducted artistic research activities in Ghana to promote conflict transformation and sustainable peacebuilding, as part of CUSP Network Plus Strand 3.
Noyam organised three arts initiatives aligned with the project’s goals of utilising creative practices for positive social change.
On Saturday, September 9, 2023, Noyam put together an amazing stage production dubbed ‘Dede’ at their theatre in Dodowa. The production told the story of how a young lady, Dede lost her dad through conflict, travelled out of her community in search of answers to stop the conflict in her homeland.
Noyam put together the contemporary dance theatre piece ‘Dede’ in collaboration with partners at the University of Glasgow and the University of Ghana’s Centre for Migration Studies. Dede also highlights the stories of migration and displacement through music, dance and drama.
The ‘Dede’ production saw a massive turnout of dance and art enthusiasts from all walks of life coming together to watch this great show.
As part of the CUSP activities, Noyam held a youth dance competition at Noyam Theatre featuring groups creating dances around the theme ‘Move for Peace’. The event gave young people a platform to express their visions for nonviolence, unity and social harmony through dance. Groups incorporated varied dance styles from hip hop to traditional African along with spoken word, music and theatre.
The themes addressed in the pieces included ending tribalism and police brutality, the power of women, and solidarity. The competition fostered positive connections between youth across different communities in Accra and provided them agency in advocating for social change through artistic expression. A panel of local dance artists and peace practitioners evaluated the groups, with prizes going to the top three crews.
Noyam dancers also staged a powerful performance in Ahenkra village in the Eastern Region promoting messages of unity, resilience, and hope through a blend of traditional and contemporary African dance.
The event brought together Noyam’s professional dance troupe with community members in Ahenkra to showcase regionally specific dances from Ghana alongside modern styles. The fluid mix of genres reflected the continuous evolution of Ghanaian cultural heritage.
Speaking after the project, Nii-Tete Yartey, a renowned Ghanaian choreographer and artistic director at the Noyam African Dance Institute, stated that a lot of research went into this production to ensure that their audience around the world would understand the essence of the production and go home with the core message of unity, resilience, and hope through a blend of traditional and contemporary African dance.
“Over the years, Noyam has taken it upon itself to preach on several aspects of having a better society through traditional and contemporary African dance. We are thrilled to contribute Noyam’s artistic voice to the wider conversation within CUSP Network Plus. These activities enabled our artistic team to practicalize the role of arts in peacebuilding and share our cultural knowledge,” Nii-Tete Yartey said.
Nii Ogbamey Tetteh, Communications Manager at Noyam African Dance Institute disclosed that it is easy to spread messages about illegal migration, peace and unity through traditional and contemporary African dance productions.
“What Noyam has been doing over the years is to preach on areas that constitute a better universe. The ‘Dede’ production focus on unity, resilience, migration and hope. These key things have become very important in the world in recent times. Together with our partners, we at Noyam will continue to deliver high-level productions and play our part to ensure that the world becomes a better place for all of us,” Nii Ogbamey Tetteh said.
Kofi Boadi, a patron from the ‘Dede’ production commended Noyam African Dance Institute and all its partners for putting together the piece.
“This performance showed our community coming together through dance and music. Despite our difficulties, this connected us and lifted our spirits,” Mr Boadi noted.
About Noyam African Dance Institute
In addition to providing Ghanaian artists a platform to develop their craft, Noyam is steadfast in its drive to collaborate with academic and artistic institutions locally and abroad that are invested in positive social change.
The Institute aims to bridge gaps between scholars and creative practitioners to advance the role of arts in building peace. Noyam’s partnership in CUSP Network Plus exemplifies its commitment to working across disciplines and borders to produce knowledge and artistic works that support sustainable and ethical approaches to conflict transformation.
Entertainment
Oncemore Six to headline Symphonic Gospel Meets Orchestra 2024
Symphonic Music Ghana is set for the 4th edition of the Symphonic Gospel Meets Orchestra concert, scheduled for December 22 at The Palms Convention Centre in Accra.
This year’s event will feature renowned South African gospel artiste Oncemore Six as the main performer.
The singer is known for his powerful worship songs like “Here on our knees” and “Ohlonishwayo”.
‘Oncemore Six’ has inspired audiences across Africa with his heartfelt music.
Joining him on stage will be a lineup of talented gospel musicians, including Grace Charles, Shadrach Kwesi Mensah, Efe Grace, Charnté Eseyin, Lordina The Soprano, Kofi Owusu Peprah, Luigi Maclean, Enuonyam, and more. This diverse group of artistes promises to deliver a memorable evening of worship and praise.
The concert aims to blend contemporary gospel music with classical orchestral elements, creating a unique and uplifting experience for all attendees. As a live recording event, it offers the audience an opportunity to be part of a significant moment in Ghana’s gospel music scene.
The tickets are still available for purchase.
You can’t miss this opportunity to experience a night of powerful worship and musical excellence. Mark your calendars for tomorrow and join at The Palms Convention Center for an unforgettable evening.
By Linda Abrefi Wadie
Entertainment
2024 Eastern Music Awards: Daasebreba Kwame crowned Artiste of the Year
Rising music sensation Daasebreba Kwame has been crowned Artiste of the Year at the 2024 Eastern Music Awards held at the Koforidua Cultural Centre.
The Eastern Music Awards, currently in its fifth year, promotes and recognises remarkable artistes thriving in the region and throughout Ghana in a variety of categories.
The night featured thrilling performances by nominees and past winners, highlighting the Eastern Region’s rich musical tradition.
Daasebreba Kwame, who is signed to the Yaco International record label, has had a successful year, winning the prestigious Artiste of the Year award, as well as Highlife Song of the Year at this year’s Eastern Music Awards.
Daasebreba Kwame’s Artiste of the Year prize package included a performance at the 2025 African Music Week in Canada.
In his acceptance speech, Daasebreba Kwame expressed gratitude to his fans for their unwavering support and dedicated this award to all aspiring musicians in Ghana.
He emphasised the importance of staying true to one’s musical roots while embracing innovation in music, and this was received by massive applause from attendees at the auditorium.
This accolade is a significant milestone in the career of Daasebreba Kwame, who is known for his unique blend of traditional Ghanaian sounds with contemporary music styles, which has captivated audiences both locally and internationally.
Winning this award not only highlights Daasebreba Kwame’s individual talent but also underscores the growing recognition of Eastern Region artistes within Ghana’s broader music industry.
Daasebreba Kwame’s victory at the Eastern Music Awards marks a significant achievement not just for him but for all artistes striving for excellence in their craft.
As he continues to inspire others through his music and dedication to cultural heritage, it is clear that he will remain a prominent figure in Ghana’s evolving music landscape.
This year’s event saw an increase in nominations across various genres, reflecting a diverse range of musical expressions emerging from the region.