Entertainment
Obrafour, Drake & Mantse conundrum: Baba Sadiq writes
Following the Obrafour vrs Drake vrs Mantse IP issues carefully. I am noticing some of the emotions at play and the usual take devoid of sound legal reasoning and case studies to back it up.
Someone wondered if Mantse indeed has the locus to claim his composition on the recording owned by Execution Entertainment/Obrafour? Others thought he couldn’t have because he was paid etc.
Anybody that followed the Taylor Swift, Big Time Machine case which is almost similar to this as it relates to asserting one’ compositional right will admit, Mantse whether paid or not can lay a proper claim to the composition of that aspect of the recording which Execution Entertainment/Obrafour owns. That composition “Killer cut blood” is his. He composed and performed it.
The Taylor Swift, big Time Machine case asserts the composer’s rights associated with the underlying composition – the performance royalties, in addition to the mechanical royalties even though the owner of the sound recording in this case Execution Entertainment/Obrafour retains the rights to monetize, distribute, and license that specific recording, regardless of who wrote the song.
Execution/Obrafour owns the entire recording, however, the element of the recording in contention is that which was composed and performed by Mantse. So it’s best practice to regard Mantse as a composer of that aspect of the recording owned by Execution Entertainment/Obrafour because he composed and performed it. So he is actually on a good path regardless of how we think he should have approached it. The approach can be subjective and a matter of choice, not our emotions to be fair to him.
Perhaps it’s time to re-route the narrative of the industry through thoughtful and informative content as I have consistently maintained. No industry can be enabled without thought leadership. This is another opportunity to do better and elevate the discourse for the good of the industry.
Further readings particularly the Sisqó vrs the Composer of Ricky Martin’s “Living la Vida loca” confirms that, unless otherwise directed by Mantse, Execution Entertainment/Obrafour can not claim compensation on behalf of Mantse as the composer of that piece in the recording which is a bone of contention. Mantse however and on his own can claim compensation for that piece without recourse to Obrafour.
Per the attached link and in the Ricky Martin case, the actual beneficiary in that case isn’t Ricky Martin who performed the recording but Desmond Child, the composer of the song. Ricky Martin and the record label that owned the Masters didn’t have a right and couldn’t have claimed the compensation like Obrafour is doing.
Emotions aside and If The Taylor Swift vrs Big Time Machine and the Sisqó vrs Desmond Child case are anything to go by, the rightful beneficiary of the compensation and the one with the actual right of claim is Mantse, the composer of the sampled piece and not Obrafour. Read this carefully, let’s talk more about it.
Entertainment
TGMA unveils nominees this Saturday
The air is electric in Ghana’s music scene as the long-anticipated nominee announcement for the 26th Telecel Ghana Music Awards (TGMA) is nearly here.
Music lovers should mark their calendars for Saturday, March 15, when the nominees will be revealed live on TV3 and across the Ghana Music Awards official social media channels.
This year’s nominations promise to be some of the most competitive yet. After weeks of submissions and meticulous deliberations, music fans across the country will finally learn which artists and groups will be contending for the highly coveted awards.
The Road to the Nominees Announcement
It all began on January 21, 2025, when nominations officially opened for the TGMA. Artists and groups had until 16th February to submit their works released between January 1, and December 31, 2024.
The response was nothing short of phenomenal, with over 1,500 entries pouring in from more than 130 talented artists and groups—a true testament to the dynamic and ever-growing nature of Ghana’s music industry.
The Deliberation Process
Once the deadline passed, an expert panel of industry insiders and stakeholders rolled up their sleeves for the daunting task of sifting through the entries.
The review process was thorough, with each submission evaluated based on a set of specific criteria to ensure only the most deserving artists and groups made it onto the shortlist.
The final selections were validated by the TGMA board and key industry players, ensuring transparency and fairness every step of the way.
The Big 5 Categories: The Showstoppers
While every category brings its own set of thrills, the Big 5 awards are the ultimate crown jewels. These prestigious categories will be revealed live on TV3 on Saturday, 15th March, it includes; Record of the Year, Album of the Year, Telecel Most Popular Song, New Artiste and Artiste of the Year.
The Telecel Ghana Music Awards: Celebrating Excellence
The Telecel Ghana Music Awards play an essential role in showcasing and celebrating the best of Ghana’s musical talent. By recognizing excellence, the awards inspire artists to reach new creative heights while fueling the growth of the industry.
They also serve as a unifying force, bringing together artists, industry leaders, and music lovers in a shared celebration of Ghanaian music.
With Ghana’s top artists and groups battling it out for the prestigious honors, the anticipation is at an all-time high. As the music industry continues to evolve, the TGMA remains a true benchmark of excellence.
Entertainment
Ghana need industry bank to fund talents — Rocky Jigga
Ghanaian UK-based afrobeat singer, Emmanuel Rocky Gyeniaw Jnr known in entertainment circles as Rocky Jigga has expressed the need for an industry bank to fund talents.
According to him, this will help Ghanaian musicians to compete effectively with their foreign counterparts.
Rocky Jigga believes that many talented musicians have coiled back into their shells due to funding challenges.
“There’s more room for improvement. The industry needs more investors from both the government and private sector at large. We need an industry bank that funds talents, events and everything entertaining,” he said.
Rocky Jigga recently released ‘Slow Down,’ featuring Ball J.
The song which came with its video was produced by B Boat and it emphasised a man’s preference for an ideal woman irrespective of the size.
