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Till Deaf Do Us Part: Kobi Rana did a marvelous job-Kalybos

Actor, Richard Asante popularly known as Kalybos has showered praises on movie maker, Kobi Rana for a good job done on his latest movie.

Kobi Rana is currently out with a new movie titled, “Till Deaf Do Us part” a beautiful romantic comedy movie in sign language.

Speaking to Thespectatoronline.com, Kalybos said, the director of the movie, Kobby Rana did a marvelous job.

He said, “The movie is dialogue and action, and the dialogue is in signs, the acting had to do with body gestures, and I must say it was very challenging, but I love the role and the writing.”

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Kalybos revealed that it is a masterpiece that everyone must watch, adding this new movie has what it takes to erase the wrong impression about Ghanaian movies, and could rob shoulders with other global productions.

Narrating how his new role was, Kalybos said, “Among all roles I have played in movies, this was the most challenging one because of the sign language that had to be merged with the dialogues.”

He said it was not the usual comedy role, but it’s all part of the move to take on other challenging roles to show other sides of Kalybos in his quest to explore other genres in acting.

The ‘Till Deaf Do Us Part’ movie shows simultaneously today at Aiport View Hotel(Accra), Vienna City (Tema), Crown Liberty Hotel(Weija), SG Mall(Kumasi), Bernard Grills(Tamale), Eusbette Hotel (Sunyani), KTU Abba Bentil(Koforidua), Flip Bar(Akropong), and TTU Auditorium (Takoradi), from 6, 8 and 10 pm.

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The movie also featured Kafui Danku, Fella Makafui, Roselyn Ngissah and Roselyn Felli among others

By Edem Mensah-Tsotorme

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 Kwabena Kwabena to ‘paint’ Grand Arena red on Val’s Day

• Kwabena Kwabena
• Kwabena Kwabena

 Multiple award-winning Gha­naian musician, Kwabena Kwabena, is calling on all lovers to converge on the Grand Arena on Valentine’s Day for an unforgettable experience.

‘Asor’ is 20 years old, and we are looking forward to launch ‘Asor’ @20 at the event this year,” he told The Spectator in an interview.

According to him, it was not easy to stay in the music industry for 20 years, “So I see it as a special event to appreciate my team, and all those who have been part of this journey.”

Against this backdrop, Kwabena Kwabena urged all lovers to come under one roof on Valentine’s Day to rekindle their love in a charged music atmosphere.

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“Love is beautiful, bring your loved ones for us to celebrate love, I will set the tone and ambience for you to celebrate your loved one,” he said.

Kwabena Kwabena on the night would be supported by other heavy­weights in the music industry includ­ing, King Promise, Kidi, Olive The Boy, Fameye and surprise female artistes.

Since the inception of the event in 2014, every edition has been a memo­rable one filled with love intertwined with music.

 By Edem Mensah-Tsotorme

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 Hallelujah is more than just a song — Khojo Tiger

Kojo Tiger

 Budding Ghanaian musician, Khojo Tiger, known in private life as Pat­rick Eshun, has inspired music lovers with his new song, ‘Hallelujah’.

According to him, ‘Hallelujah’ is more than a song; it teaches gratitude and triumph.

The single, released on February 3, 2025, celebrates victory over life’s struggles and acknowledges divine grace.

“Whether you are seeking motiva­tion or simply a song that speaks to the soul, Hallelujah is set to be a timeless addition to your playlist,” he told The Spectator.

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Khojo Tiger’s new son masterfully blends elements of gospel, soul, and contemporary sounds to create an emo­tionally charged experience for music lovers.

Known for his dynamic vocal delivery and profound lyrical storytelling, Khojo Tiger continues to make his mark in the industry, and this latest release promises to be a testament to his artistic depth.

Khojo Tiger is a talented singer-song­writer making waves in the music industry with his unique blend of soulful melodies and inspiring messages.

The song which is expected to lift the spirit of music lovers was produced by Mark Sound and it’s available on all music streaming platforms.

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 By Edem Mensah-Tsotorme

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