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Trouble looms in Ada …over missing names of Chiefs in festival brochure

• Nene Kabu Abram Akuaku II

Nene Kabu Abram Akuaku II

 Trouble is looming in Ada over the omission of some chiefs in the official brochure for the re­cently held Ada Asafotufiami festival.

Notably from the Kabiawe Clans, the pictures and names of key chiefs such as Nene Owusie Sakpiti II, Nene Kabu Dzabaku Kubi V, the Ada State Dzase and Naana Dagojo Dumaaley I-Paramount Queenmother of Ada were omitted.

Also missing from the festival brochure was the Divisional Chief of Korgbor, Nene Akiti III.

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There was, however the unautho­rised inclusion of pictures and names of some individuals who were not chiefs nor members of the Ada Tra­ditional Council yet featured on the brochure.

The development, according to a source close to the Ada Traditional Council (ATC), has angered the Para­mount Chief Dzetse Nene Kabu Abram Akuaku III.

Consequently, the source indicated that the development could result in a crunch meeting by the Paramount Chief to resolve the issue and persons found culpable could be sanctioned according to the laws of the land.

The meeting would ultimately cor­rect certain mistakes that occurred during the festival, strengthen the unity among traditional leaders, and safe­guard the integrity of the par­amountcy.

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“The disagree­ments and disregard to higher authority in certain decisions greatly troubled the Par­amount Chief. It has the tendency to embarrass the entire Ada State and disrupt one of the most prestigious festivals in Ghana, hence the need to call everyone to order,” the source told The Spectator.

According to the source, these and other unresolved matters were causing disunity and unrest within the tradition­al leadership, a situation he said does not augur well for develop­ment.

“We need to understand that in all things, Ada comes first, hence the need to put differences aside, be­come united, and work towards growth,” the source emphasised.

The source reminded that with­out unity and mutual understanding among the leadership, Ada would be denied of development.

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The source highlighted the impor­tance of identifying and addressing people within the leadership that may be hindering progress with their actions, stating, “We need peace and unity to progress, so if there are peo­ple in our ranks that are against that, then they must be dealt with accord­ing to the laws of the land.”

He stressed that the activities of the paramountcy must be handled profes­sionally to protect its image and avoid such compromises in future.

He said in future, the backgrounds of people should be investigated be­fore elevated to the status of chiefs to avoid such troubles.

This year’s Ada Asafotufiami fes­tival, held on August 1-8, attracted thousands of guests and celebrated the rich cultural heritage of the Ada State.

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 By Michael D. Abayateye

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 Avonsige: The intersection of fashion and culture

As I speak to Avonsige Ayinemi Augustina, the visionary CEO and Creative Director of AVONSIGE, she passionately shares her journey with me.

Her voice carries both confidence and warmth, mirroring the essence of her designs yet deeply rooted in culture.

“Fashion for me, is more than just clothing,” she told me. “It is a language, a way of express­ing identity, and a bridge that connects our past, present, and future. Every piece I create tells a story, and that story begins with Ghana.”

Her love affair with fashion began as a teen­ager when she was captivated by an avant-garde show that left an indelible mark on her creative spirit.

“I knew then that I wanted to design unforget­table pieces of garments that leave an impact long after they are worn,” she added.

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Encouraged by her supportive parents, she pursued visual arts and textiles, laying the foundation for AVONSIGE, a brand that has since become synonymous with elegance, cultural appreciation, and innovation.

She explains that, AVONSIGE is not just about garments, but rather a gate­way into Ghanaian culture, with a signature aesthetic that merges pristine whites with rich in­digenous textiles.

Again, she said that people have to see Ghanaian smock and kente, fabric and wear them with pride, knowing that each weave carries centuries of history.

She beams as she described her mission of creating a safe space to un­derstand and appreciate the Ghanaian lifestyle and traditions as the country celebrate Ghanaian heritage month.

Fashion should be a conversation starter, a way to carry our history with us. When you wear AVONSIGE, you are not just wearing fabric; you are wearing the soul of Ghana.”

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She paused, then added, “To know our attire is to know our worth.”

Avonsige takes immense pride in sourcing authentic fabrics from the Upper East Region of Ghana. “Our styles and textiles are deeply rooted in the craftsmanship of northern Ghana,” she told me. “From the intricate handwoven smocks to the vibrant kente, each fabric carries the legacy of our ancestors, and we ensure that authenticity is preserved in every piece,” she indicated.

Avonsige’s passion for sto­rytelling is evident in every project she undertakes. “I wanted to push beyond the runway,” she said, eyes alight with excitement.

Her commitment to preserv­ing Ghanaian narratives through fashion is unwavering. “Every stitch, every pattern has meaning,” she noted. “That’s the beauty of our craft – it is a living, breathing testament to who we are.”

Beyond luxury and aesthetics, AVONSIGE is deeply rooted in philanthropy. “Fashion should not only inspire but also uplift,” she tells me. Through her annual initiative, AVONSIGE Runway for a Cause, she recreated original designs into Christmas outfits for orphans and underprivileged children in northern Ghana.

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“This is some­thing very close to my heart,” she said with a softening voice. “It is my way of giving back, of ensuring that every child feels valued and beautiful.”

As our conversa­tion draws to a close, Avonsige leaves me with a profound thought: “Fashion is not just about what we wear – it is about the stories we carry, the heritage we embrace, and the future we envision.”

Through her passion, creativity, and unwaver­ing dedication, Avonsige Ayinemi Augustina has turned AVONSIGE into more than just a brand. It is a movement, a celebration of culture, ele­gance, and purpose.

Join her on this extraordinary journey where fashion is more than a trend, it is a lifestyle, a cultural bridge, and a force for change.

 By Geoffrey Buta

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 Who wears the crown? …as 13 contestants mount stage in 2025 Miss Ghana Beauty Pageant tonight

 Thirteen young and vibrant ladies se­lected across the regions of Ghana will vie for the prestigious 2025 Miss Ghana Beauty Pageant crown as the event is held today at the Avenue Event Center in Accra.

Each contestant will rep¬resent their respective re­gions as they compete for the prestigious crown.

The contestants have gone through the weekly tasks ahead of the highly anticipated grand finale.

According to the organ­isers, this year’s winner will not only represent Ghana on the global stage at Miss World but also lead charita­ble initiatives under the Miss Ghana Foun­dation, focusing on support¬ing vulnerable com­munities.

Below are briefs about the contes­tants.

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Deborah Fidelia Naa Ayeley, is a 25- year old Christian and hails from the Greater Accra Region. She loves watching movies, reading, listening to music and volunteering.

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Priscilla Ayeley Kwablah 23, is a Christian
who loves reading and listening to
music representing the Western North
Region of Ghana.
She believes every lady should be
determined and have the zeal to attain
every height in life.

Thelma is a 22-year old spoken word artist
and a student of the Kwame Nkrumah University of Science and Technology (KNUST).
She hails from the Upper West Region of Ghana.
Her hobbies are reading and writing and
listening to good music.
The Miss Ghana project has always been a
dream she harboured since she was a little
girl but growing up, she realised it is not
just about the crown, the glitter and the
sash.
She now sees the crown as a symbol of
change in the lives of not only the ladies
participating but also a change in the lives
of the marginalised group of people in the
country.

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Theresa Weyerane Adiali, 28, is a journalist with the Media Foundation for West Africa as an Investigative Journalism Fellow with a background in communication, and a passion for impactful storytelling.
Theresa has been a force in driving change for the marginalised communities
through humanitarian work with
UNICEF Ghana, and as a radio and TV news broadcaster.
Theresa envisions Miss Ghana as a platform to empower rural women and children in climate displaced communities in Ghana.

Jutta Ama Pokuah Addo is a 20-yearold
Christian from the Central Region
who loves golf and painting.
She is a dual student at the University
of Professional Studies, Accra and Wisconsin International University.
She sees herself as a young woman
with a bold spirit with a bright future
ahead of her.

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