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Demolition of Fantasy Dome unfair — Mark Okraku-Mantey

• Mark Okraku Mantey
• Mark Okraku Mantey

 Months after the Fantasy Dome was dismantled to make way for construction at the Ghana International Trade Fair site, the Deputy Minister of Tourism, Arts and Culture, Mr Mark Okraku-Mantey, has expressed con­cern over the manner the facility was destroyed.

In an interview on Daybreak Hitz with Andy Dosty, Mr Okraku-Mantey criticised the handling of the dome’s dismantling, suggesting that it could have been done without causing damage.

“I don’t think that leadership gave instructions that they should do what happened. The structure was a prefab but I hear the peo­ple destroyed it. That one, we cannot defend it. It is unfair to him (owner). Sometimes, you give instructions and people will go and do things that will make you look bad,” he stated.

When asked about any punitive measure against the workers responsible for the destruction, Mr Okraku-Mantey clarified that the Trade Fair does not fall under his ministry.

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He said he had previously con­tacted the owner, Leslie Quaynor, to discuss relocating the dome, and even suggested the National Museum as a potential site, though it was too small.

The demolition of the 20,000-seat­er Fantasy Dome occurred on March 16, 2024.

According to Dr Agnes Adu, CEO of the Ghana Trade Fair Company Limit­ed, the action was taken after multiple notic­es were given to Quaynor to vacate the premises for redevelopment, as per their tenancy agreement.

Dr Adu noted that all previous tenants had complied except for the Fantasy Dome.

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Quaynor, in an interview with JoyNews, confirmed that his lease had ended, and was in the process of relocating the dome.

He had requested an extension, which was denied, leading him to seek a writ and an injunction from an Accra High Court to halt the demolition.

Despite this, the demolition pro­ceeded, causing significant damage to the structure.

Quaynor described the incident as a major setback, not only for his busi­ness but also for the entertainment industry, which relies on venues like the Fantasy Dome.

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Entertainment

 Kay9ice apologises to Shatta Wale

• Shatta Wale (L) and Kay9ice

 Afro-highlife musi­cian, Kay9ice, known in private life as Philip Kay Kissi has publicly apol­ogised to award-winning dancehall musician Shatta Wale and the Shatta Move­ment following his contro­versial remarks about his song.

Kay9ice made the com­ments about Shatta Wale’s song on Adom TV’s Showtime programme with Sally Mann.

Kay9ice believes the comments passed did not sit well with the Shatta Move­ment.

Against this backdrop, in a recent interview on Wontumi TV, Kay9ice ex­pressed regret for his state­ments, clarifying that he never intended to disrespect Shatta Wale.

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“I would like to use this opportunity to apologise to all S.M fans, I might have made some comments which I never intended for it to sound wrong to the fans, I have no intention of dis­respecting such an icon,” Kay9ice added.

Kay9ice is currently promoting his latest release dubbed “Pema”, which is making waves since the release.

 By Edem Mensah-Tsotorme

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Entertainment

Von Sinu releases debut single ‘Thank You’

• Von Sinu

 Von Sinu, an upcoming gospel musician, has released her debut single titled ‘Thank You’ which is gaining popularity on the airwaves and streaming platforms.

‘Thank you’ seeks to appreciate God for his goodness and faithfulness in her life.

 In an interview with The Spectator in Accra, Von, who is also a fashion designer said “looking back at my life and what God has told me about myself, I was grateful.

She said she had to record it and later sent it to a friend who has been very instrumental in her being a gospel singer.

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She said though there were other songs written and recorded, she thought it was prudent to release  ‘Thank you’  as  the Bible  urges believers to give thanks  in Psalm 92:1-2: “It is good to give thanks to the Lord, and to sing praises to Your name” 

The song is available on all digital platforms including Youtube, Spotify, Apple music Deezer and Tidal.

By Jemima Esinam Kuatsinu

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