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Koo Kusi, making giant strides in the music industry
● Koo Kusi, the rapper
Music is a powerful tool in the hands of musicians but not all musicians are capable of handling it well. Some go to the extent of producing less worthy contents that incite social vices among the youth.
However, other musicians stand out with their noteworthy contents on education, romance, folklore, current affairs and many more. One of such musicians is a Texas-based Ghanaian rapper, Koo Kusi, who uses his music to talk on sentimental issues which traumatise the youth.
His recent album, ‘Greetings from Abroad,’ paints a picture of the country’s economic woes affecting the youth in various spheres of life and how they cope with the situation. The 7-track extended play gives an account of a Ghanaian immigrant from what pushed him to leave his current situation and perseverance in life.
Interacting with The Spectator, he said the theme of the album is centred on fear. This includes the immigrant’s fear of not meeting his expectations, fear of failing in Ghana and not delivering to his loved ones after leaving Ghana.
Koo Kusi whose real name is Nana Kofi Kusi-Boadum, stated that his stories were on mental health issues, thus most of the things were in tune with psychology in the social regard.
“Music can be therapeutic serving as an aid in certain disorders, to establish physical, mental and emotional well-being. Instead of giving you the complex science that I practise every day, my stories are on related issues that portray the challenges my audience face,” he expressed.
According to Koo Kusi, every song on the album is a different chapter that touched on the same theme, and it has been received well by the youth on social media.
COVER ART AND THE SONGS
Taking this reporter through his work, Koo Kusi touched on the symbolism of the cover art and how each artwork, resonated with the songs on his album.
At the top left of the album cover, is a ‘Rich Dad, Poor Dad’ with faded yellow T-shirt of Ghanaian hip-hop artiste, Kojo Cue, depicting the first song on GFA. In that song, the immigrant fears he might be unable to do well for himself and his family due to the current hardships in the country.
“I am paying homage to Kojo Cue’s song that speaks on generational wealth and how one has to become successful for his family. However, the individual in my song fears that he may not be up to the task demanded by Kojo Cue,” he explained.
The next track, ‘From Abroad,’ resonates with a green passport bearing the title of the album and the Japa Nation logo (a globe with an aeroplane circling around it) inscribed on it, as well as a student identity card. Also, on the passport, there is an individual with two luggage in Ghana on the African continent.
In the song, the immigrant gains admission to a school abroad yet lacks financial means to leave the country. Therefore, he borrows money from his uncle with the assurance of paying off his debts, two weeks later. Again, both the song and art touch on the narrator’s pursuit of seeking greener pastures even if, it is on the ticket of a student visa.
“The youth in Africa are naïve about the happenings abroad. Payment of health insurance is compulsory and expensive as compared to the situation at home. You must pay $2000 dollars per semester,” he noted.
The third track, ‘Agya Amo Calling’ cites the pressure bedevilled by the narrator due to his delay in paying back his uncle. The narrator is unable to pay his debts because of the exchange rates abroad. Therefore, he would have to convert the cedis to dollars before transacting smoothly. Besides, the cedis won’t match up to the dollars after the conversion.
In ‘No Where Cool,’ Koo Kusi paints the narrator’s ordeals and the harsh reality of gun violence in America to his colleague in Ghana, who also wishes to migrate. The track features another rapper, RBD, who explains why he anxiously wants to leave Ghana.
“On my part, I tell a story of a young Ghanaian child who was a victim to gun violence here in the States. This happened because his uncle wanted to make the father proud by bringing him here,” he said.
With all these fears harboured by Koo Kusi, he transitions them onto the next track, ‘Greatest Fear.’ This emphasises his fear to deliver despite the perception his family and friends have, regarding his academic successes and creative skills.
Unable to meet society’s expectations, the rapper hints suicide in his songs, however, he resists the temptation with the last songs on the EP, ‘5Foot3 Creed’ and ‘Nsuro.’
‘5Foot3 Creed’ correlates with antidepressant pills lying atop the passport of the cover art and, the Tribe of God shoes containing the passport and ID card matches with ‘Nsuro.’ Finally, there is a studio Kusi jacket (red and black chequered jacket) which signifies deviance over depression.
“The narrator isn’t giving in to the demands of suicidal thoughts, besides God is ordering his steps and he shall fear no evil,” he said.
FUTURE
Speaking about his future prospects, Koo Kusi informed his impatient fans to keep their fingers crossed for bigger projects in the future.
“5Foot3 was on inferiority complex and GFA was on fear, anxiety and depression. Hopefully, the next one would be on another essential issue,” he said.
He expressed excitement at how the album has positively affected his audience in relation to the tones of messages he has been receiving.
Although he began rapping since high school, Koo Kusi’s style of rapping on topical issues was shaped by an art group called Sasa, which he joined at the Kwame Nkrumah University of Science and Technology in Ghana in 2019
He was the recent winner of a viral video open verse challenge of Ghanaian rapper, Manifest’s “Clean and Pure” song.
Koo Kusi who is also a trained pharmacist, is currently pursuing a PhD in neuroscience and pharmacology in the United States of America.
By Yunusah Essandoh
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ASWIM lauds Prof Naana Jane Opoku-Agyemang
The Association of Women in the Media, (ASWIM) has congratulated Professor Naana Jane Opoku-Agyemang on her historic achievement as Ghana’s first female Vice President.
The association said her trailblazing journey with sterling accomplishments from academia to politics, is undoubtedly, a vivid inspiration to countless women and girls across Ghana and Africa.
This was contained in a statement signed by its president, Mrs Mavis Kitcher, and copied to The Spectator on Tuesday in Accra.
“ASWIM celebrates your remarkable career, marked by numerous firsts, including the first female Vice-Chancellor of the University of Cape Coast, (UCC), and the first female to hold a professional chair in Ghana, (UCC),” the statement said.
It said the accomplishments of Prof Opoku- Agyemang were clear testament to the brilliance, resilience and resourceful nature of the complete beautiful African woman.
“As she takes on this new role, ASWIM proudly lauds her commitment to education, women’s empowerment, distinguished public service and patriotism and is very confident that her pursuit of excellence, love for humanity, humility, decency, modesty and commitment to the welfare of the vulnerable will characterise Ghana’s political leadership and public service,” the statement added.
By Jemima Esinam Kuatsinu
Entertainment
Demolition of Fantasy Dome unfair — Mark Okraku-Mantey
Months after the Fantasy Dome was dismantled to make way for construction at the Ghana International Trade Fair site, the Deputy Minister of Tourism, Arts and Culture, Mr Mark Okraku-Mantey, has expressed concern over the manner the facility was destroyed.
In an interview on Daybreak Hitz with Andy Dosty, Mr Okraku-Mantey criticised the handling of the dome’s dismantling, suggesting that it could have been done without causing damage.
“I don’t think that leadership gave instructions that they should do what happened. The structure was a prefab but I hear the people destroyed it. That one, we cannot defend it. It is unfair to him (owner). Sometimes, you give instructions and people will go and do things that will make you look bad,” he stated.
When asked about any punitive measure against the workers responsible for the destruction, Mr Okraku-Mantey clarified that the Trade Fair does not fall under his ministry.
He said he had previously contacted the owner, Leslie Quaynor, to discuss relocating the dome, and even suggested the National Museum as a potential site, though it was too small.
The demolition of the 20,000-seater Fantasy Dome occurred on March 16, 2024.
According to Dr Agnes Adu, CEO of the Ghana Trade Fair Company Limited, the action was taken after multiple notices were given to Quaynor to vacate the premises for redevelopment, as per their tenancy agreement.
Dr Adu noted that all previous tenants had complied except for the Fantasy Dome.
Quaynor, in an interview with JoyNews, confirmed that his lease had ended, and was in the process of relocating the dome.
He had requested an extension, which was denied, leading him to seek a writ and an injunction from an Accra High Court to halt the demolition.
Despite this, the demolition proceeded, causing significant damage to the structure.
Quaynor described the incident as a major setback, not only for his business but also for the entertainment industry, which relies on venues like the Fantasy Dome.
